in brief
06.05.2023

Roger Reynolds: Still worth its chops? 

Ekkozone & Esbjerg Ensemble: »Journey«
© PR
© PR

Nice idea: an entire concert of music by Roger Reynolds, the experimental American who won a Pulitzer in 1989 but whose music doesn’t sound that experimental anymore. 

Even his newest music. Nørrebro hosted the world premiere of Reynolds’s new oboe concerto Journey as part of Matthias Reumert’s mini-festival Offbeat. It is an entirely un-rooted piece – a road movie betraying little allegiance to key, material or system as it capers forwards through a series of mystical images. Jacqueline Leclair played it charismatically. Necessary, as there can seem little beyond surface sound in the piece. 

Mistral went big on Reynolds’s taxonomical tendencies. It is a score in which instrumental groups stick together before forming fragile coalitions across timbral boundaries – a process that plunges them into mania. The work’s antiphonal qualities and roaring brass cried out for a bigger space than Koncertkirken, or just a different spatial configuration.

Those who stuck around after an hour-long interval caused by a medical emergency were rewarded with the evening’s highlight: Transfigured Wind III. Again, Reynolds sanctifies musical gesture here: a solo flute cries, huffs and puffs (sometimes beguiling, sometimes clichéd) and is answered by a series of delicate ensemble ritornellos that transfigure the same material. Kerstin Thiele played it with an ardour neatly balanced-out by Reumert’s cool conducting.

In its patience, this last piece went deeper – its simpler structure drawing more nuance from Reynolds and giving us a clearer view of his quasi-spectral aesthetic. Is that aesthetic still worth its chops? Reynolds claims nobody can appreciate his music in one hearing. I certainly need more convincing. 

© Paw Ager

»For me, music is about curiosity and surprises – yet it’s also something in which you can feel right at home. Music resides within us all, in a physical way that sets it apart from any other art form. To me, music is something greater than the individual – something that will always outlive the individual. The good stuff, in other words ;) « 

Kaspar Kaae is an award-winning film composer, music producer, and songwriter, known for his work with bands such as CODY and Bug Chaser. He holds a Master’s degree in film composition from SDMK.  He has previously been a guitarist in a number of bands on the Danish indie scene, such as CODY, Broken Twin, and Bug Chaser. The latter is releasing the album My First Crippled Love in November. He was born in 1983 on Bornholm, but has lived in Copenhagen and Berlin throughout his adult life.

© PR

»Music is like a black hole that sucks you in and shoots you out on the other side of the universe.«

Francesco Rista is a guitarist working across classical and electric guitar. His recordings have been reviewed by international music magazines and broadcast on BBC and RAI Radio 3. After studying at the Royal Danish Academy of Music and Lund University, he focused on studio recordings, exploring guitar repertoire from the Baroque and Romantic periods to contemporary music, as well as the instrument’s varied tonal possibilities. Rista is currently based in Iceland, where he teaches guitar, composes music, and collaborates with contemporary composers.

 

© Villads Hoffmann
© Villads Hoffmann

Percussionist and composer David Hildebrandt is honoured for his virtuosic work with new music and his efforts to push the boundaries of what rhythm can be.

David Hildebrandt is among the recipients of this year’s honorary awards from the Wilhelm Hansen Foundation. He receives DKK 200,000 in recognition of his uncompromising work with new music and multi-percussion, as well as his ability to challenge conventional ideas about rhythm.

© Thor Brødreskift
© Thor Brødreskift
The 2026 Nordic Council Music Prize goes to Norwegian composers Kristine Tjøgersen and Benedicte Maurseth for Elja, a suite for the Kronos Quartet and Hardanger fiddle.
 
Rationale
© Carsten Seidel

»Who ever said that music is ‘just’ music? To me, it is anything but that: an urge to understand and explain it all. A piece of jewelry I wear every single day. A joy that can, at times, run deep. An ever-changing imprint of millions of stitches in my heart. A longing to disappear.«

Henrik Marstal is a musician, author, and music researcher. He holds a PhD in musicology, is a senior lecturer at the Rhythmic Music Conservatory, and frequently appears in the media as an expert source on music. His areas of interest include contemporary music, such as electronic music. This winter, he will release both a new album with the pop group ibens and a book about Else Marie Pade, published by the British publishing house Bloomsbury.