in brief
09.07.2023

Konteksten drukner i klang-jazzercise 

Matt Choboter: »Postcards of Nostalgia«
© PR
© PR

Hvorfor pressematerialet til Matt Choboters album Postcards of Nostalgia dvæler så meget ved begrebet jazz, er mig en gåde, selvom Choboter til tider rammer samme toner som Keith Jarrett, når han undersøger genrens ydre rammer. De toner, den København-baserede canadier rammer, er nærmere i familie med kontekstualiseret ambient, klangkunst og især hele skolen omkring John Cages ideer om prepared piano og konkret musik. Tilsæt et skvæt balinesisk gamelan-musik, og det kan knipses jazzet sammen.

Med lovningen på ti værker skabt på baggrund af radikalt nye tuninger og magnetiske manipulationer af klaveret, kunne man forvente helt unikke toner. Og når det er bedst, blandes klaverets maniske gungren med dundrende dommedagsgamelan, susende sinus-toner og hvid støj. Når det er værst, byder Choboter på ligegyldige præparerede stykker, der lyder som hvilken som helst anden rytmekonsstuderende, der spytter tyggegummi ind mellem tangenterne. 

Trumfen er »Fontes-des-gaumes« – grænserne mellem manipulationer, syntese og feltoptagelser er total, og jeg kommer i tvivl om, hvad er virkelighed, og hvad er Choboter. Omvendt lyder næste nummer, »Eleusian Mystery«, hvis titel er lige så generisk som tonerne, som et forsøg på at lave et artsy soundtrack til en dårlig B-film, der moonlighter som psykologisk horror. Ikke synderligt nyt, og man glemmer hurtigt konteksten.

Netop konteksten kan være svær at få en fornemmelse af, når Choboter banker på klaverets karosseri. Postcards of Nostalgia tårner sig aldrig op fra de andre tusindvis at prepared piano-værker, og netop den ærgerlige duft af anonymitet forhindrer lytteren i at relatere og genfortolke værkerne i en tænkt kontekst. En evne som god klangkunst skal have. Det opnår Choboter kun i momenter, og det er måske det, der gør værket jazzet?  

© Paw Ager

»For me, music is about curiosity and surprises – yet it’s also something in which you can feel right at home. Music resides within us all, in a physical way that sets it apart from any other art form. To me, music is something greater than the individual – something that will always outlive the individual. The good stuff, in other words ;) « 

Kaspar Kaae is an award-winning film composer, music producer, and songwriter, known for his work with bands such as CODY and Bug Chaser. He holds a Master’s degree in film composition from SDMK.  He has previously been a guitarist in a number of bands on the Danish indie scene, such as CODY, Broken Twin, and Bug Chaser. The latter is releasing the album My First Crippled Love in November. He was born in 1983 on Bornholm, but has lived in Copenhagen and Berlin throughout his adult life.

© PR

»Music is like a black hole that sucks you in and shoots you out on the other side of the universe.«

Francesco Rista is a guitarist working across classical and electric guitar. His recordings have been reviewed by international music magazines and broadcast on BBC and RAI Radio 3. After studying at the Royal Danish Academy of Music and Lund University, he focused on studio recordings, exploring guitar repertoire from the Baroque and Romantic periods to contemporary music, as well as the instrument’s varied tonal possibilities. Rista is currently based in Iceland, where he teaches guitar, composes music, and collaborates with contemporary composers.

 

© Villads Hoffmann
© Villads Hoffmann

Percussionist and composer David Hildebrandt is honoured for his virtuosic work with new music and his efforts to push the boundaries of what rhythm can be.

David Hildebrandt is among the recipients of this year’s honorary awards from the Wilhelm Hansen Foundation. He receives DKK 200,000 in recognition of his uncompromising work with new music and multi-percussion, as well as his ability to challenge conventional ideas about rhythm.

© Thor Brødreskift
© Thor Brødreskift
The 2026 Nordic Council Music Prize goes to Norwegian composers Kristine Tjøgersen and Benedicte Maurseth for Elja, a suite for the Kronos Quartet and Hardanger fiddle.
 
Rationale
© Carsten Seidel

»Who ever said that music is ‘just’ music? To me, it is anything but that: an urge to understand and explain it all. A piece of jewelry I wear every single day. A joy that can, at times, run deep. An ever-changing imprint of millions of stitches in my heart. A longing to disappear.«

Henrik Marstal is a musician, author, and music researcher. He holds a PhD in musicology, is a senior lecturer at the Rhythmic Music Conservatory, and frequently appears in the media as an expert source on music. His areas of interest include contemporary music, such as electronic music. This winter, he will release both a new album with the pop group ibens and a book about Else Marie Pade, published by the British publishing house Bloomsbury.