Sandra Boss
About Sandra Boss
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review06.05
From Cringe to Cosmos – and Back Again
Spor 2026 took its audience from embarrassed laughter to resonant sonic landscapes in a festival that both transgressed boundaries and overwhelmed the senses. -
review24.01
Matias Vestergård revisited
Revivals have moved onto the agenda among Danish composers, and this month two violent operas by Matias Vestergård benefited from the trend. What is it that makes him so good at writing precisely that kind of work? -
review07.06.2025
When the Past Begins to Make Noise Again
At Geneva’s Archipel Festival, lost instruments and occult soundscapes are brought to life in a journey through speculative rituals and experimental music. -
review01.06.2025
Spor Festival at Twenty: the Eternal Play of Sound
From giant flutes to performative rituals – the anniversary edition of the Aarhus-based festival unfolded the materiality of sound and musical collaboration in new forms. -
review12.02.2017
Netværkets ydre grænser
Tobias Linnemann Ewé anmelder to aktuelle, digitale udgivelser fra henholdsvis Brian Eno og Morten Poulsen, samt radioplatformen radio.garden. -
review23.06.2015
Perfekt Termisk
Perfekt Termisk fra Sandra Boss er en god og interessant plade. Den er god at lytte på og interessant at tænke med. Tobias R. Kirstein har anmeldt.
By Sandra Boss
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review23.06.2013
Kunsten at trykke play
Dette års KLANG musikfestival havde åbnet ørerne for den elektroniske musik. Ikoniske værker fra både fortiden og nutiden var på programmet og demonstrerede klassiske problemstillinger i fremførelsen af den elektroniske musik. Sandra Boss anmelder. -
podcast episode21.09.2011
Spunkens rede
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reportage23.08.2011
Hvem der bare var blind og en lille smule døv
Reportage fra Metropolis 2011, der i år både bød på lydvandring gennem centrums kaotiske lydmiljø, og spektakulere vindinstrumenter på Amager Strand. -
reportage31.05.2011
Posedamen og den stædige lyd
ACTS, festival for performativ kunst på Museet for Samtidskunst.