»Kirstine Fogh Vindelev’s discreet soundscape for the power performance Animal provides much-needed breathing room in Alexandra Moltke Johansen’s dense text.«

Gently lapping, quiveringly simple, and almost self-effacingly discreet.

Natural sounds, imitations of nature, harmonies, and entire sequences are simply building blocks in her personal experimental lab.

This year’s edition of Copenhagen’s festival for new music embraced sonic rituals, cultural encounters, and performances with loops, bodies, and cassette tapes – and featured French musicians playing as if sound itself could change the world.

»I love being part of the ritual that heals our forgotten connection to nature, which is the very foundation of our lives.«

»Cohesive, yet lacking challenges for the listener – such is the impression left by Josefine Opsahl’s new work.«

The surprises keep lining up in your ears with Xenia Xamanek’s new hybrid work on repeat.

Henrik Friis anmelder uropførelsen af den danske komponist Rune Glerups symfoniske værk 'Symfoni'.

Is there a line from Mahler to Simon Steen-Andersen? From a fin-de-siècle symphony to a 21st century avant-garde investigation of technological possibilities? Well maybe, the author argues, if modernism in music is seen as an interest in sounding objects.