Andreo Michaelo Mielczarek

Editor-in-Chief of Seismograf since 2021 and music critic at Kristeligt Dagblad. Has written for a wide range of Danish and international media, including The Quietus (UK), Positionen (DE), MINT Magazine and Jazz Forum (PL), Neural (IT), Raw Vision (UK), and Kunstkritikk. Co-author (with Lars Muhl) of HVA’ SAA! En guides rutsjebanetur gennem Aarhus – før, nu og i fremtiden, and contributor to Man skal høre meget – an anthology on music criticism.

By Andreo Michaelo Mielczarek

reportage
15.11.2024

»For Many Years I Have Thought About What the Nordics Really Are«

Was it just for fun that the world's oldest festival for Nordic contemporary music traveled to Scotland? No, it was an educational journey.

By Andreo Michaelo Mielczarek
reportage
15.11.2024

»For many years I have thought about what the Nordics really are«

Was it just for fun that the world's oldest festival for Nordic contemporary music traveled to Scotland? No, it was an educational journey.

By Andreo Michaelo Mielczarek
review
18.10.2024

Head to Venice and Hear Foreign Songs Everywhere

War, refugees, and destruction are inescapable at the Venice Biennale. You can feel it, see it, hear it – it's all-encompassing. Has Venice ever been this filled with sound?

By Andreo Michaelo Mielczarek
review
18.10.2024

Head to Venice and Hear Foreign Songs Everywhere

War, refugees, and destruction are inescapable at the Venice Biennale. You can feel it, see it, hear it – it's all-encompassing. Has Venice ever been this filled with sound?

By Andreo Michaelo Mielczarek
in brief
12.10.2024

You Just Want to Disappear into These Cosmic Hordes of Sound

»'Myriads' is better – more enriching – than any club in Aarhus’ Latin Quarter.«

By Andreo Michaelo Mielczarek
reportage
07.10.2024

In the Shelter of the Noise of Glasgow’s Night

The audiovisual festival Sonica shakes up the senses with sick robots, bagpipes and electronica for the future.

By Andreo Michaelo Mielczarek
in brief
31.08.2024

Fear and Heavy Curtains in Aarhus

»And that is how it sounded. Cold. Like the saddest Instagram filter imaginable – with sound.«

By Andreo Michaelo Mielczarek
in brief
04.07.2024

Shouldn’t Selvhenter be playing the Orange Stage next year?”

For about an hour we breathed together. And it is profoundly good to do something together at a festival.

By Andreo Michaelo Mielczarek
reportage
08.02.2024

Do You Feel the Vibration?

Heaven, hell, love and country – life’s biggest mysteries were studied at the Polish festival Sacrum Profanum. And it ended well for two Danes.

By Andreo Michaelo Mielczarek
review
11.08.2017

Den sømand han må lide

Andreo Michaelo Mielczarek og Rikke Hansen anmelder Cristian Vogels iscenesættelse af det klassiske folkesagn Agnete og Havmanden på Åben Scene, Godsbanen, Aarhus.

By Andreo Michaelo Mielczarek & Rikke Hansen
review
20.03.2017

Hvad vi synger om, når vi synger om kvinder

Rikke Hansen og Andreo Michaelo Mielczarek anmelder Louis Aguirres operamanifest 'The Way The Dead Love' med verdenspremiere på Godsbanen i Aarhus.

By Andreo Michaelo Mielczarek & Rikke Hansen
interview
03.10.2016

2006-16: Is it time to downsize?

Line Tjørnhøj and Allan Gravgaard Madsen of the AUT board tell Andreo Michaelo Mielczarek about their views on the future of the association after a time of large-scale projects.

By Andreo Michaelo Mielczarek