Spor 2026 took its audience from embarrassed laughter to resonant sonic landscapes in a festival that both transgressed boundaries and overwhelmed the senses.

Marie Koldkjær Højlund uses art, disgust, and everyday ruptures as resistance to habits, crises, and our urge to understand everything.

The MOMENTUM biennial in Moss, Norway lets sound art speak, guiding the audience into the borderlands of the senses – where even a toilet resonates like an echo chamber.

An analysis of a sensory concert and its challenge of the gendered stage.

Interview med Morten Riis og Marie Højlund, som er kuratorer af projektet The OverHEARD, der er en del af Aarhus Kulturby 2017