Through a reading of four works, this article explores how Simon Steen-Andersen the visual as a communicating and concrete compositional material.

Simon Steen-Andersen presents a thoroughly intellectual approach, but he also makes room for the quiet and the fragile. He can call attention to echoes of dust and breath.

Repetition is never just the same thing twice. In the works of Simon Steen-Andersen repetition only appears due to a complex interplay with the unrepeatable.

Risto Holopainen discusses notions of automated composition and autonomous instruments - and outlines a distinction between human and non-human agents.

Rudiger Meyer reviews recent developments in the digital domain and reflects on the changes in conditions for producing and consuming new music and sonic art.

Carl Bergstrøm-Nielsen reflekterer forud for Copenhagen Openform Festival over den aktuelle status af forholdet mellem musikkens skriftlighed og dens udførelse. Er den åbne notation stadig relevant?