Sandra Boss

  • review
    24.01

    Matias Vestergård revisited

    © PR
    Revivals have moved onto the agenda among Danish composers, and this month two violent operas by Matias Vestergård benefited from the trend. What is it that makes him so good at writing precisely that kind of work?
    By Sune Anderberg
  • review
    07.06

    When the Past Begins to Make Noise Again

    At Geneva’s Archipel Festival, lost instruments and occult soundscapes are brought to life in a journey through speculative rituals and experimental music.
    By Anna Ullman
  • review
    01.06

    Spor Festival at Twenty: the Eternal Play of Sound

    From giant flutes to performative rituals – the anniversary edition of the Aarhus-based festival unfolded the materiality of sound and musical collaboration in new forms.
    By Birgitte Stougaard Pedersen
  • review
    12.02.2017

    Netværkets ydre grænser

    Tobias Linnemann Ewé anmelder to aktuelle, digitale udgivelser fra henholdsvis Brian Eno og Morten Poulsen, samt radioplatformen radio.garden.
    By Tobias Linnemann Ewé
  • review
    23.06.2015

    Perfekt Termisk

    Perfekt Termisk fra Sandra Boss er en god og interessant plade. Den er god at lytte på og interessant at tænke med. Tobias R. Kirstein har anmeldt.
    By TR Kirstein
  • review
    12.06.2013

    Ambiens af kød og blod

    Orglet i koncertkirken. PR foto.
    Lydkunstnerne Sandra Boss og Jonas Olesen har med værket 'Dublet' for orgel og elektronik skabt en simpel, men raffineret og intenst sanselig, instrumental lydkunst. Onsdag d. 5. juni uropførte de værket ved en stemningsfuld koncert i Koncertkirken på Nørrebro. Jexper Holmen anmelder.
    By Jexper Holmen