Laurie Anderson and Sexmob fused slideshow, music, and political reflection in a dry, playful, and surprisingly hopeful concert at DR Koncerthuset.

For a long time, CTM has served as a beacon for contemporary electronic music. But in an increasingly fragmented scene, the question arises: does the festival still show the way?

In the end, one is left with the feeling of having attended a lecture rather than an opera. My final note before the curtain fell: Will this be on the test?

Manchester Collective let longing, rupture and beauty seep through contemporary British music

Before you know it, an hour has passed in which Vestergård, Sandberg, and ÆTLA have slipped poetry, madrigals, and new vocal music down the throat of a young audience. It can actually be quite fun!

At Alice, Abul Mogard let tones open their inner life through slowly shifting drone passages