Three artists shattered the table’s constraints and gave technology a body.

At the Jazzkaar Festival in Tallinn, improvisation and reflection meet in a landscape shaped by historical fault lines, westward gazes, and hopes for the future.

When there are two grand pianos for a concert, one of them is usually prepared. Rosenbaum had three (!) without using a single screw, coin, or ping-pong ball.

»I love being part of the ritual that heals our forgotten connection to nature, which is the very foundation of our lives.«

»When the gloom returned with renewed force, it was Kjærgaard who, with a roaring guitar, sprawled across the emotional abyss. It was beautiful and brutal.«

Jenny Wilson’s first opera – an adaptation of Elfriede Jelinek’s »Women as Lovers« – delivers sharp theatricality and biting satire but struggles to find its musical voice.