»Enchanting. One left KoncertKirken a little taller, happier, and more playful.«

Sól Ey and Ryosuke Kiyasu both confronted the boundaries of sound with uncompromising dedication, demonstrating that sound art is not just about playing – but about transformation.

A world so distant from the inferno of Roskilde that one can hardly see where the ends meet. But they do, that night at Roskilde.

»The small crackling beep-sounds from the satellites’ resonance also became music.«

Although the many contrasts made for a rather epic concert, they also left me feeling somewhat conflicted.

Local traditions play a central role in the second-ever Faroese opera, in which Sunleif Rasmussen reclaims a local story made famous by Wagner.