The Im/mediate Noise
This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.
This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.
An investigation of the sonic and durational experiences that formed the encounter with three artworks at the museum Dia:Beacon.
Questioning sound as an ‘exhibited’ artistic object from a conceptual leaning, the article address sound’s subjective inclination as an experience beyond the material object.
Holger Schulze’s keynote presentation asking for individual idiosyncrasies as parts of research methodologies.
A germinal manifesto for the audio paper.
This article argues, that the open artwork no longer functions as a mere provocation. Instead it has become a naturalized form of art.