kritik
Microtones In the Coal Mines
Ostrava Days transformed the old mining town into a laboratory of sound, where contemporary music pressed its way out between dust, drones, and Dadaist madness.
Ostrava Days transformed the old mining town into a laboratory of sound, where contemporary music pressed its way out between dust, drones, and Dadaist madness.
Ostrava Days forvandlede den gamle mineby til et klanglaboratorium, hvor samtidens musik maste sig ud mellem støv, droner og dadaistisk vanvid.
An anti-anthem for those who fall asleep at concerts and wake up with Cage talking nonsense.
En antihymne for dem, der sover til koncerter og vågner til Cage, der mumler.
At the Bergen International Festival, William Kentridge and Ryoji Ikeda let art capture what can no longer be said – only felt.
På Festspillene i Bergen lod William Kentridge og Ryoji Ikeda kunsten opfange det, der ikke længere kan siges – kun sanses.