Voices From a Bygone Era
»Sofie Birch and Antonina Nowacka create a sensuous acoustic space where the dream of another time is allowed to emerge.«
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»Sofie Birch and Antonina Nowacka create a sensuous acoustic space where the dream of another time is allowed to emerge.«
The idea is strong, simple, and well executed. Like the sonic version of a cartoon mirage shimmering falsely in the sharp Californian sunlight.
Like a warped, crumpled tape, melodies bubble to the surface, and the offbeat rhythms repeat with the halting tempo of a scratched LP.
In the end, it sounds like a march that has forgotten who it was written for.
Everything should align perfectly when the multimedia duo O Future stages the descent into Hades – but it doesn’t.
Three artists shattered the table’s constraints and gave technology a body.
»A poetic and precise sonic laboratory, where music emerges in hesitation and grows like a living creature.«
»I love being part of the ritual that heals our forgotten connection to nature, which is the very foundation of our lives.«
»When the gloom returned with renewed force, it was Kjærgaard who, with a roaring guitar, sprawled across the emotional abyss. It was beautiful and brutal.«
As a listener, there is nothing to do but surrender to Amalie Dahl and the group’s convincing display of strength.
»Enchanting. One left KoncertKirken a little taller, happier, and more playful.«
»Cohesive, yet lacking challenges for the listener – such is the impression left by Josefine Opsahl’s new work.«
The surprises keep lining up in your ears with Xenia Xamanek’s new hybrid work on repeat.
Sól Ey and Ryosuke Kiyasu both confronted the boundaries of sound with uncompromising dedication, demonstrating that sound art is not just about playing – but about transformation.
A world so distant from the inferno of Roskilde that one can hardly see where the ends meet. But they do, that night at Roskilde.
It is hard not to feel almost physically exhilarated by the album’s intense contrasts between presence and destruction.
On half of the tracks Hammerstrøm demonstrates that he is capable of creating truly beautiful music.
This is an album as happy to shout as it is to slither.
»The small crackling beep-sounds from the satellites’ resonance also became music.«
There is something charmingly awkward about Shibuya’s pop-infused, overdramatic compositions and the android voice’s sticky kawaii factor.
Although the many contrasts made for a rather epic concert, they also left me feeling somewhat conflicted.
If I woke up in a golden bed with a crowd of strangers around me, I would love to listen to the same soundtrack as Jeppe.
How much of the original purpose can – and should – be removed from the equation for a release in album format to make sense?
»A necessary album for anyone unafraid of the dark.«
»With a few simple means, Blaume’s debut emerges as a welcome harbinger of spring.«