Tinnitus attuning

An ethnographic exploration of aural diversity and how we hear together as sonic citizens

Listening as worlding

An artistic-led attuning method to places and communities

The drum and the community

Unboxing sonic cultural heritage

Precarious resonances

Sonic citizenship, fragility, and collective audibility in sumar by Diamela Eltit

Mobile sonic citizenship

Co-sounding the outdoors in Helsinki

Sonic solidarity

Dead silence

Negotiating noise with the non-living

Arriving, attuning, assembling, and adapting

Becoming sonic citizens with BEEP zine

Sounding missing persons

Humming posthuman belonging

Circulating sounds as memetic citizenship practices in online music cultures

Oh, to Lose Yourself in Moers

The German Moers Festival is no longer primarily a jazz festival, but a curated laboratory for free improvisation, sound art, compositional music, and political absurdism. At times it feels forced. Most of the time, it is liberating.

Åh, at fare vild i Moers

Den tyske Moers Festival er ikke længere først og fremmest en jazzfestival, men et kurateret laboratorium for fri improvisation, lydkunst, kompositionsmusik og politisk absurdisme. Til tider virker det anstrengt. Oftest er det befriende.