interview

  • interview
    16.01.2024

    The Useless Hell

    © PR
    In the musical theater performance »Calls to this number are being diverted« Matthew Grouse puts the absurd working life of late modernity under the microscope.
    By Henrik Marstal
  • interview
    29.11.2023

    Side entrance to the New Music Scene

    © Kristof Lemp
    Slowly the idea of universality is dissolving, experimental music exists everywhere and in every genre – Abbasi, Eizirik and Sanchéz-Chiong in conversation.
    By Jan Topolski
  • interview
    27.08.2022

    »I would very much like to survive, thanks in advance«

    © Malin Annie Jansson
    Two years ago, James Black began writing an article series on religion in the Danish composer scene. Getting more and more angry, Black finally had to give up. Why?
    By Sune Anderberg
  • interview
    23.08.2022

    Oil, Opera and the history that haunts us

    © Tom Ingvardsen
    Niels Rønsholdt's new work, »The Last Rites«, is a pessimistic satire on human nature. The opera takes place in Østerbro Ice Skating Rink, so the audience can feel the cold mechanics of desire and the growing chaos on our planet. Do we really need winter all year round?
    By Macon Holt
  • interview
    09.03.2022

    Three Artists. One Hope

    Katarina Gryvul. © Nika Gargol
    Three snapshots from three different lives: Kateryna Zavoloka, Katarina Gryvul and Boris Filanovsky. All work with music, their countries are at war, and they condemn Russia's invasion of Ukraine. They have not met each other and the article consists of three unique interviews with Seismograf. None of them see themselves as political artists, but they do believe that it is a human duty to speak out and fight back when the leader of one's homeland orders war against the other two's homelands. 
    By Julie Hugsted
  • interview
    24.01.2022

    »I want to examine sound's relationship with as much of the world as possible«

    © Museum of Portable Sound
    The sound of Freud’s toilet in Wienna, Andy Warhol in the supermarket, and the first pirated mp3 ever – Museum of Portable Sound collects and exhibits sound as cultural objects. And the sounds in the collections are only accessible from curator John Kannenberg’s iPhone 4S.
    By Julie Hugsted