interview

  • interview
    23.08.2022

    Oil, Opera and the history that haunts us

    © Tom Ingvardsen
    Niels Rønsholdt's new work, »The Last Rites«, is a pessimistic satire on human nature. The opera takes place in Østerbro Ice Skating Rink, so the audience can feel the cold mechanics of desire and the growing chaos on our planet. Do we really need winter all year round?
    By Macon Holt
  • interview
    09.03.2022

    Three Artists. One Hope

    Katarina Gryvul. © Nika Gargol
    Three snapshots from three different lives: Kateryna Zavoloka, Katarina Gryvul and Boris Filanovsky. All work with music, their countries are at war, and they condemn Russia's invasion of Ukraine. They have not met each other and the article consists of three unique interviews with Seismograf. None of them see themselves as political artists, but they do believe that it is a human duty to speak out and fight back when the leader of one's homeland orders war against the other two's homelands. 
    By Julie Hugsted
  • interview
    24.01.2022

    »I want to examine sound's relationship with as much of the world as possible«

    © Museum of Portable Sound
    The sound of Freud’s toilet in Wienna, Andy Warhol in the supermarket, and the first pirated mp3 ever – Museum of Portable Sound collects and exhibits sound as cultural objects. And the sounds in the collections are only accessible from curator John Kannenberg’s iPhone 4S.
    By Julie Hugsted
  • interview
    06.08.2021

    All Tomorrow's Music

    © Willa Wathne
    One of Europe’s oldest contemporary music festivals comes to Aarhus. We profile Ung Nordisk Musik, which is as ageless as Madonna and contains Icelandic vulgarities from 1612.
    By James Black
  • interview
    08.03.2021

    ‘We don’t have the same aspirations at all’

    Mikkel Schou. © Zuhal Kocan
    Guitarist Mikkel Schou prefers the brand-new music composed today; his upcoming Debut Concert is a ‘thanks, but no thanks’ to institutional forces of habit.
    By Andrew Mellor
  • interview
    02.06.2020

    ‘I wanted to be radical’

    Christian Winther Christensen. © Mette Kramer Kristensen
    Instruments struggle to voice themselves in the music of Christian Winther Christensen. His focus on small sounds and deep concentration is a perfect match for a time of silenced soundscapes.
    By Andrew Mellor