review

  • review
    15.09

    Langgaard Lets His Hair Down

    © Rune Grassov
    The Rued Langgaard Festival opened up the composer’s universe to Sweden, visual art and new interpretations of his music. The strongest moments came when Langgaard escaped the familiar confines. The next step must be to bring him further out into Ribe.

    By Catja C. Gaebel
  • review
    31.08

    When Opera Leaves the House

    © Rumle Skafte
    Copenhagen Opera Festival has broadened the reach of opera while making it more experimental under Amy Lane. But when bold projects fail to find their form, the courage to experiment can tip into gimmickry.
    By Andrew Mellor
  • review
    26.08

    The Art of Letting Go

    © Alfred Bundgaard
    On three new albums by Sofie Birch, Tyondai Braxton, and Gustaf Dicksson & co., electronics come alive, melodies are allowed to lose their way, and experimental music discovers a rare lightness.
    By Nikola Nedeljkovic Gøttsche
  • review
    13.07

    Five Things I Learned About Love in Bergen

    © Øystein Haara / Carte Blanche
    The Bergen International Festival promised »endless love«. I listened closely – and found it everywhere from medieval madrigals to pop ballads spanning the centuries.
    By Andreo Michaelo Mielczarek
  • review
    02.07

    Oh, to Lose Yourself in Moers

    © Dennis Hoeren
    The German Moers Festival is no longer primarily a jazz festival, but a curated laboratory for free improvisation, sound art, compositional music, and political absurdism. At times it feels forced. Most of the time, it is liberating.

    By Andreo Michaelo Mielczarek
  • review
    28.06

    When Music Stopped Explaining Itself

    © Alexander Banck-Petersen & Klang Festival
    Klang Festival was at its strongest when the works spoke directly to the body rather than to the programme notes. Not everything succeeded, but this year's festival was willing to take risks.

    By Agnete Seerup