in brief
27.04.2021

Syv lydsøjler og en varulv

Poul Ruders: »Dream Catcher«
Bjarke Mogensen. © Nikolaj Lund
Bjarke Mogensen er solist på det nye album, hvor »Sound and Simplicity« er indspillet for første gang. © Nikolaj Lund

Det nye værk på albummet, akkordeonkoncerten Sound and Simplicity (2018), består af syv satser. Eller »lydsøjler«, som Ruders kalder dem.

Satserne har forskellige udgangspunkter, for eksempel lyder den første, »Rain«, med sit stærkt vekslende sammenspil mellem Bjarke Mogensens akkordeon og Odense Symfoniorkester som at bevæge sig igennem en by, hvor regnen rammer de forskellige overflader og skaber klange af varierende længde og intensitet.

Anden sats, »Trance«, smider al melodik og tematik over bord for over fire minutter at lade en Ges-dur bevæge sig tre oktaver op – og man keder sig aldrig. De to sidste satser, »Twilight« og »Wolf Moon«, er som taget ud af en gammel horrorfilm. I »Twilight« leger akkordeonet i hele sit register, hvor jeg flere gange reelt er i tvivl om, om lyden bliver dubbet af et orgel eller kor, selvom det ‘kun’ er orkestret, der farver klangene på subtile måder. Satsen slutter af med et varulvehyl, arrangeret for basun.

Vekselvirkningen mellem at udforske mulighederne for forskellig sound i konstellationen orkester og akkordeon, mens man holder sig til ret simple virkemidler, gør Sound and Simplicity til et virkelig vellykket værk, hvoraf hver sats tåler genlytninger.

in briefrelease
08.02.2024

Behind the Words

Alexander Tillegreen: »In Words« 
© PR
© PR

One of the most mysterious – and at times boundary-pushing – interviews ever captured on tape is Meatball Fulton’s 1967 interview with Pink Floyd’s Syd Barrett. Filled with broken sentences, incongruous word combinations, questions and answers that seem to bear no relation to one another, and pauses that feel endless, the interview pushes the limits of what can meaningfully be called communication at all. »Your impression of me… which you must have… would you care to tell me? And be like absolutely honest… Do you have one?« the interviewer asks at one point. »In words?« Barrett replies.

In Words is also the title of multidisciplinary artist Alexander Tillegreen’s debut album, whose closing composition samples a full seven minutes of the interview. It is not difficult to understand what Tillegreen hears in this peculiar exchange. For someone who, in his artistic explorations of psychoacoustics and phantom words, has consistently probed sound’s possibilities and limitations as a carrier of meaning, the interview must appear as a rather sensational example of the illusory nature of language.

None of this would, of course, be of any interest if the music were not as strong as it is: richly atmospheric, detailed, texturally varied, emotionally potent, and filled with pleasing, warm synth tones that recall 1970s German Kosmische Musik. The fact that a large part of the compositions originate in earlier installation works often leaves me with the strange feeling that there is a dimension or context I do not fully grasp – which, of course, is entirely in keeping with Tillegreen’s spirit.

© PR

Phil Battiekh (Basel, Switzerland) has been a Mahraganat  DJ and producer for over a decade. He is one of the first to dedicate himself to Mahraganat outside of Egypt. In addition to his most popular Mahraganat mixes on Soundcloud (over 450K streams worldwide),  he released the acclaimed Cairo Concepts compilation in 2019. Featuring DJ Plead, DJ Haram, Alaa Fifty, Nustaliga and others, Cairo Concepts contextualises the impact and developments of the Mahraganat scene and examines the way certain artists have appropriated Mahraganat for club scenarios.  

Mahraganat (Egyptian Arabic: مهرجانات( , which literally means »festivals«, is a mix of Egyptian Shaabi, electronic dance music, rap and trap. It is characterized by percussion-heavy rhythms,  massive bass and loads of autotune. Phil Battiekh is curating the SWANA night – a joint event by pantropical, turkis, and Volume Village, which takes place at the latter in Aarhus. Next to his own set, Phil will  also have a role as Wezza Montaser's DJ. 

Bill Frisell. © Carole D'Inverno

»I like when it's impossible to tell at first if something is black or white, or country or blues, or whatever.«

Bill Frisell’s career as a guitarist and composer has spanned more than 40 years and many celebrated recordings. From Aaron Copeland and Charles Ives to Bob Dylan and Madonna. Born in Baltimore, Bill Frisell played clarinet throughout his childhood in Denver, Colorado. His interest in guitar began with his exposure to pop music on the radio.

© PR

»Music has been a healing balm for me.«

John William Grant is an American singer, musician, and songwriter holding both American and Icelandic citizenship. He first came to prominence as a co-founder, lead vocalist, pianist, and primary songwriter of the alternative rock band The Czars. After releasing six albums between 1994 and 2006, the band disbanded, and Grant withdrew from music for four years before embarking on a solo career.

He returned in April 2010 with a critically acclaimed debut album recorded in collaboration with Midlake. Queen of Denmark was named Album of the Year 2010 by Mojo magazine and was also selected as one of the ten best albums of 2010 by The Guardian’s music critics and writers.

© Malthe Folke Ivarsson

»In his music, composer Allan Gravgaard Madsen tries to create a better version of himself.« 

Allan Gravgaard Madsen is a Danish composer based in Copenhagen. His most recent works include Träume nicht and Nachtmusik. He tries to create a better version of himself in his music – where his personality tends to be restless, chatty and has an active inner life, his music is controlled, simple and merciless in its expression. He is the recipient of the Carl Nielsen & Anne Marie Carl-Nielsens Hæderspris 2022.