»Who ever said that music is ‘just’ music? To me, it is anything but that: an urge to understand and explain it all. A piece of jewelry I wear every single day. A joy that can, at times, run deep. An ever-changing imprint of millions of stitches in my heart. A longing to disappear.«
Henrik Marstal is a musician, author, and music researcher. He holds a PhD in musicology, is a senior lecturer at the Rhythmic Music Conservatory, and frequently appears in the media as an expert source on music. His areas of interest include contemporary music, such as electronic music. This winter, he will release both a new album with the pop group ibens and a book about Else Marie Pade, published by the British publishing house Bloomsbury.
Lyt! De tabte lande lever
Komponisten Peter Danstrups sangcyklus Landene der forsvandt til Vokalensemblet GLAS lader os besøge lande, hvis navne ikke længere findes på verdenskortene. I en stærk blanding af genrer er hver sang som skåret ud af sit egen tidspunkt i historien. Teksten i den munstre folkevise Heligolandet giver associationer til Alberte Windings universer (en kæmpe kompliment). Min ven Brooke er en bluesy og stærkt humoristisk fortælling, der konstant holdt mig på kanten af mit sæde i spænding efter den næste strofe. Østrumelien har karakter af en revolutionær kampsang, og Libertatia føles som det manglende nummer på Sebastians Skatteøen, nemlig piraternes stærkt politiske modspil mod det klassesamfund, de ikke ønskede at være en del af.
De mange genrer er mesterligt flettet sammen og fremført af sangerne i ensemblet. Hver sang spiller på nogle kendte musikalske konventioner, så det føles som om, man genkender musikken. Og alligevel vindes nyt land – det er lidt som at studere historien om de lande, der nu mangler. De udfylder nogle huller i vores konventionelle fortællinger.
Samarbejdet mellem Danstrup og GLAS-sangerne er et af de sjældne samarbejder, der kun bliver bedre efter første gennemlytning – og det bør fortsættes, udbygges og styrkes fra officiel side. Øj hvor er det godt!
»For me, music is at its best when it appeals to both the head and the heart. I love music that plays with language and understands how words create images, while also possessing its own unique sonic quality and mood. It’s an added bonus if the music energizes me during a run, makes me dance in the kitchen, or makes me laugh. Or cry. Music can be like a chocolate-coated marshmallow treat with a surprise inside.«
Lone Hørslev is an author of poetry, novels, and song lyrics, as well as the TV series Den gode stemning. Together with Mads Mouritz, she forms one half of the Mouritz/Hørslev Project, and she recently wrote lyrics for the musical theatre production STOLT in collaboration with Katrine Muff. The songs can be found on the album Jeg ønsker mig.
»For us, music is... magic? Aside from the fact that we are huge fans of silence, the closing line of one of our upcoming singles perfectly captures our relationship with music:
'Music feels like magic to me / A superior art form in a marketplace / Trying to find an empty space'.
That is what it can feel like as a songwriter and performing musician. We try to hold onto an almost childlike infatuation with music, yet the art form we work in – alternative-leaning pop-rock – was created and has evolved 'in a marketplace' driven by powerful economic forces. As a romantic, that can sometimes be a bit disheartening...«
Late Runner consists of Asger Tarpgaard and Tanja Forsberg Simonsen, both formerly of the bands Superheroes and Private.