in briefrelease
28.11.2021

Der var engang en westerncellist

»Niels Rønsholdt: »Country«
Jakob Kullberg. © Søren Rønholdt
Jakob Kullberg. © Søren Rønholdt

Lad os bare få fyret konfettikanonerne af med det samme. Carl Prisens hæder som årets komponist 2021 vejer ikke for tungt på skuldrene af Niels Rønsholdt, hvis du spørger mig. Den indspillede udgave af cellokoncerten Country – bestilt af hovedrollen Jakob Kullberg – er så vellykket, at den sagtens kan bære en triumfbue af statuetter og rosende ord.  

Den rønsholdtske signatur er ikke til at tage fejl af. Det handler om performerkroppen. Kullberg vender celloen 45 grader, omfortolker den som westernguitar og synger inderligt om en oprindelsesløs tid i det erobrede Amerika. En følsom trubadur omgærdet af bittersøde molklange, der både smager af hjemløs saloonfolklore og fremmedgjort Broadwaymusical. 

Rønsholdt vinder ikke nyt land i arbejdet med solistrollen, hvis altså man hører Country som et frigørelsesprojekt. I stedet hører jeg på indspilningen en nøjeregnende sammensætning af autenticitetsmarkører. Trubadurismen gør et godt modspil til institutionssolisten, der pligtskyldigt river og flår i strengene, som vi hører det på »Trees (I)«. På »We Don’t Ride the Same Horse« stivner disneydramaet i refrænet, idet prærieidentitetens blå tone falder på det mest karikerede 1-slag i affraseringen. 

Den største fornøjelse er ikke Kullbergs hovedrolle men derimod det birollecast af samplestemmer, som dikterer flowet, klangen og det solistiske fokus i værket. Stemmerne skaber legeringen mellem komponist, orkester og solist: en sammensat krop. Autenticiteten kommer alle mulige steder fra, lader værket til at fortælle os. Den er ikke kun repræsenteret i det oprindelige, nærværende og skrøbelige. 

© PR

»Music is my life. It has accompanied me all the way and given me experiences, friendships and opportunities that I could never have imagined.«

Pablo Fernández is a Spanish musician and the new Head of Classical Music at the Royal Academy of Music, Aarhus/Aalborg. For many years, he was principal tuba player with the Barcelona Symphony Orchestra and has taught at higher music education institutions in Spain and Denmark. He is also active as a conductor, soloist, guest lecturer and jury member at international competitions. Fernández has extensive experience in the management and development of music projects, festivals and international collaborations. He has lived in Aarhus since 2014 and has been affiliated with the Royal Academy of Music since 2021.

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»Music is, to us, a kind of closed club of nepotism, networking and Copenhagen cowboy energy. But in reality, it’s got nothing to do with expensive guitars or technical skill. For us, music is something you can feel in your chest, or something that gives you goosebumps. The best concerts are when someone screams so earnestly that the rest of us don’t have to. The best music expresses emotions in a way that would get you picked up by an ambulance if you did it out on the street. For us, music should fuck with the people who have it too comfortable, and give those who have it fucked a feeling that they’re not alone. Boom. And what the fuck is a chord and a key anyway? Kisses from Nightmaries.«

Nightmaries blend saws, guitars and voices into a dark-country, no-wave, cowboy-doom nightmare. They create the kind of soundtrack that feels like a fever dream you somehow don’t want to wake up from. As the world gets stranger and darker, Nightmaries lean into the madness, serving up slow-burning songs that creep under your skin like a poison that takes its sweet time. Put on your favourite steel-toe boots, dip your smoky eyes in an ashtray, and prepare yourself for sloppy doom with punk energy.

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»To me, music is love. I love how music allows you to skip the small talk and connect directly with people’s innermost selves. It is an extraordinary and moving way to meet one another.«

Fenja wrote her first song at the age of twelve – about a polar bear dying due to climate change – and themes of existentialism, nature, and her own sensitive nature came to define the lyrics and sound she has since developed. She released her debut album, Flugtdyr, in 2021, and in February 2026, she released the album Menneskedyr.

© PR
© PR

Danish composer Sofus Forsberg has died at the age of 56. With his distinctive blend of melodic sensibility, electronic processing and rhythmic precision, he created a musical world that moved effortlessly between IDM, pop and the avant-garde.

© Simon Weyhe

»Music for me is my hobby, my job, my outlet, my mood, an endless source of discovering new music and new, old music, some of the best and can be some of the worst. And I love it!« 

Track72 aka Tue Track aka Anders Lundby Brixen. Producer, DJ, rapper and more. Known for his role in the trio Malk De Koijn, which since the mid-1990s has created a personal universe in Danish hip-hop. Has performed in Ponyblod, Xtra Naan, Track Abdullah Rock, Booty Cologne and others.