27.03.2015

‘3 korte’ fra Kristian Hverring, manden bag kunstnernavnet Krishve

I en serie af mini-interviews spørger Seismograf/DMT forskellige aktører på musik- og lydkunstscenen til aktuelle anbefalinger af værker eller events. Se her denne anderledes og personlige værkanbefaling fra den ene af initiativtagerne til LYT TIL KBH og manden bag kunstnernavnet Krishve, Kristian Hverring.

1) Hvilket værk vil du gerne anbefale til andre?
Jeg bliver nok nødt til at vælge en drøm, jeg havde for noget tid siden. En koncert i et gammelt nedlagt biografkompleks i Bruxelles. På scenen var medlemmer af The Residents, Coil, Slayer, Velvet Underground, Guns N’ Roses og Einstürzende Neubauten. Cash, Bowie og Derbyshire gjorde også et eller andet. Arvo Pärt kom ind på scenen, men gik ud igen med det samme. Så Ligeti og Lemmy i baren. Over scenen svævede en sky af helikopterkatte. Lee Hazlewood, Scott Walker, Laurie Anderson og Ronettes sang kor. David Lynch dirigerede. Hans bidrag bestod i forundrede smil og flagrende håndbevægelser i retning af John Cage, der ved et komfur strøg en fjer mod en kogende kedel. Lars von Trier lavede lyd. Sublimt dårligt. Med vilje. Inger Christensen skammede sig bare. På alles vegne. Musikken var en kakofoni af knækket selvværd i HD. Uimodsigelig som en naturkraft, asiatisk i sin vælde, grum som et K-hole. Jeg vågnede med en underlig tilfredsstillelse i kroppen.

2) Hvorfor er dette værk særligt?
Det er vigtigt at drømme. Og sove, hvis man kan. Det er godt for hørelsen.

3) Hvad arbejder du selv med lige nu?
“1 + 1 = 3 [30 sekunder]” er en serie af improviserede 30 sekunders duetter med skiftende samarbejdspartnere. Det har stået på siden 2009 og viser ingen tegn på at gå væk. Kan opleves på film eller live. Er samtidig ved at tyde konturerne af to nye udgivelser. Den ene bliver en kortere ting, den anden længere, og på vinyl. Jeg glæder mig meget til at møde dem begge. Man kan se med på min hjemmeside www.krishve.com.

LYT TIL KBH er et samarbejde jeg har med arkitekten Jakob Oredsson. LYT TIL KBH bor på hjemmesiden www.lyttilkbh.dk og kan antydes med disse korte instrukser:
- Gå ud i byen
- Placer dine hænder bag ørerne
- Lyt til byens lyde

På hjemmesiden finder man en mere uddybende beskrivelse af intentionerne bag, samt binaurale optagelser fra forskellige steder i København. Vi arbejder i øjeblikket på næste trin. LYT TIL KBH er kun lige begyndt at vise sig, og vi planlægger en lang rejse.

Læs mere om Seismografs omtale af projektet.

Jeg er også involveret i et par nye projekter med Hotel Pro Forma, som jeg efterhånden har samarbejdet med i tre år. Derudover arbejder jeg på lydsiden til en udstilling på Nordatlantens Brygge til efteråret. Det lover godt for drømmene, men varsler ilde for søvnen.

in briefrelease

08.02.2024

Behind the Words

Alexander Tillegreen: »In Words«

Raster. 24.11

Rasmus Weirup

One of the most mysterious – and at times boundary-pushing – interviews ever captured on tape is Meatball Fulton’s 1967 interview with Pink Floyd’s Syd Barrett. Filled with broken sentences, incongruous word combinations, questions and answers that seem to bear no relation to one another, and pauses that feel endless, the interview pushes the limits of what can meaningfully be called communication at all. »Your impression of me… which you must have… would you care to tell me? And be like absolutely honest… Do you have one?« the interviewer asks at one point. »In words?« Barrett replies.

In Words is also the title of multidisciplinary artist Alexander Tillegreen’s debut album, whose closing composition samples a full seven minutes of the interview. It is not difficult to understand what Tillegreen hears in this peculiar exchange. For someone who, in his artistic explorations of psychoacoustics and phantom words, has consistently probed sound’s possibilities and limitations as a carrier of meaning, the interview must appear as a rather sensational example of the illusory nature of language.

None of this would, of course, be of any interest if the music were not as strong as it is: richly atmospheric, detailed, texturally varied, emotionally potent, and filled with pleasing, warm synth tones that recall 1970s German Kosmische Musik. The fact that a large part of the compositions originate in earlier installation works often leaves me with the strange feeling that there is a dimension or context I do not fully grasp – which, of course, is entirely in keeping with Tillegreen’s spirit.

playlist

07.02.2024

My name is Phil Battiekh – would you like to see my playlist?

Phil Battiekh (Basel, Switzerland) has been a Mahraganat DJ and producer for over a decade. He is one of the first to dedicate himself to Mahraganat outside of Egypt. In addition to his most popular Mahraganat mixes on Soundcloud (over 450K streams worldwide), he released the acclaimed Cairo Concepts compilation in 2019. Featuring DJ Plead, DJ Haram, Alaa Fifty, Nustaliga and others, Cairo Concepts contextualises the impact and developments of the Mahraganat scene and examines the way certain artists have appropriated Mahraganat for club scenarios.

Mahraganat (Egyptian Arabic: مهرجانات( , which literally means »festivals«, is a mix of Egyptian Shaabi, electronic dance music, rap and trap. It is characterized by percussion-heavy rhythms, massive bass and loads of autotune. Phil Battiekh is curating the SWANA night – a joint event by pantropical, turkis, and Volume Village, which takes place at the latter in Aarhus. Next to his own set, Phil will also have a role as Wezza Montaser's DJ.

playlist

01.01.2024

My name is Bill Frisell – would you like to see my playlist?

»I like when it's impossible to tell at first if something is black or white, or country or blues, or whatever.«

Bill Frisell’s career as a guitarist and composer has spanned more than 40 years and many celebrated recordings. From Aaron Copeland and Charles Ives to Bob Dylan and Madonna. Born in Baltimore, Bill Frisell played clarinet throughout his childhood in Denver, Colorado. His interest in guitar began with his exposure to pop music on the radio.

playlist

11.09.2023

My name is John Grant – would you like to see my playlist?

»Music has been a healing balm for me.«

John William Grant is an American singer, musician, and songwriter holding both American and Icelandic citizenship. He first came to prominence as a co-founder, lead vocalist, pianist, and primary songwriter of the alternative rock band The Czars. After releasing six albums between 1994 and 2006, the band disbanded, and Grant withdrew from music for four years before embarking on a solo career.

He returned in April 2010 with a critically acclaimed debut album recorded in collaboration with Midlake. Queen of Denmark was named Album of the Year 2010 by Mojo magazine and was also selected as one of the ten best albums of 2010 by The Guardian’s music critics and writers.