playlist

My name is Cecilie Penney – would you like to see my playlist?

»For me, music is a rush in the chest – a way of understanding and expressing emotions.«

Cecilie Penney (b. 1990, Denmark) will be presenting the exhibition Rest and Routine – Duet for Sanatorium and Modern Hospital at Nikolaj Kunsthal from February. She is a visual artist and electronic composer working across sound, installation, video, and text. Her practice explores how infrastructure and cultural norms shape human behaviour, and how emotions and empathy unfold within structural, linguistic, and technological systems.

In recent years, Penney has focused in particular on the Scandinavian healthcare system and on how patients navigate institutions that can be difficult to access and understand. Through a conceptual approach, she examines how patients are often expected to conform to rigid frameworks that fail to accommodate individual needs. By creating imagined or alternative worlds, Penney explores new possibilities for healing and transformation within bureaucratic systems, while inviting reflection on how systemic change might emerge from emotional insight and collective rethinking.

Penney holds an MFA from the Royal Danish Academy of Fine Arts in Copenhagen and a BFA in Fine Art Photography from HDK-Valand in Gothenburg.

playlist

13.06.2023

My name is Allan Gravgaard Madsen – would you like to see my playlist?

»In his music, composer Allan Gravgaard Madsen tries to create a better version of himself.«

Allan Gravgaard Madsen is a Danish composer based in Copenhagen. His most recent works include Träume nicht and Nachtmusik. He tries to create a better version of himself in his music – where his personality tends to be restless, chatty and has an active inner life, his music is controlled, simple and merciless in its expression. He is the recipient of the Carl Nielsen & Anne Marie Carl-Nielsens Hæderspris 2022.

in briefrelease

23.01.2022

Finnish Space Travel

Tomutonttu: »Hoshi«

Vauva, 02.12

Kristoffer Møllegaard

The Finnish multimedia artist Jan Anderzén has, with the album Hoshi, released under the solo moniker Tomutonttu, created a true little star. Not only because »hoshi« literally means »star« in Japanese, but above all due to the music itself. There is something cosmic, yet infinitely minute, about the sonic worlds Anderzén conjures—like a galaxy reflected in a puddle, or a space journey in a rocket carved from a hollow tree trunk. Synths emit busy, warm blips and bloops, while ultra-short vocal and instrumental samples create a recognizable blur. At once artificial and organic – soft, rounded, jagged, crackling.

Anderzén approaches sound with a playfulness I simply adore. His music is strange in an incredibly comforting way. It places me in a kind of colorful, trance-like state, only interrupted when, several times over the course of the album, I find myself smiling in delight at a particularly great sound. The synths on »Katse osuu sähköön!« The choral samples on »Kesä oli äkkiä ohi!« Milo Linnovaara’s flute on »Malta lausua ‘AH’!« And many more. Hoshi is an album packed with microscopic moments that together form a frayed, exploding, radiant, idiosyncratic whole—a stellar moment of just under 38 minutes.