OperaHole nevertheless looks like a strong contender to carry on our tradition of playful underground opera.

On »BODY« IKI turns the voice inside out and lets technology listen beneath the skin – to the point where body, circuit, and circulation become one.

At the Musica festival in Strasbourg, everything from children’s concerts to organ storms and performative string quartets turned into a playful exploration of sound, body, and community.

Ostrava Days transformed the old mining town into a laboratory of sound, where contemporary music pressed its way out between dust, drones, and Dadaist madness.<br />

Tungemål dares to experiment without drowning itself out.

It’s a wonderfully weird effect that, just as weirdly, the score seems to deliver with a straight face – just one more satisfying surprise among many others on this excellent record.