ny musik
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review08.04
It Sounded Wild – But Did it Last?
MaerzMusik in Berlin opened with 50 pianos – and bold experiments that didn't always land. -
in brief24.03
Albion, Now
Manchester Collective let longing, rupture and beauty seep through contemporary British music -
in brief20.03
Vocal Desire Between Deadpan and Renaissance
Before you know it, an hour has passed in which Vestergård, Sandberg, and ÆTLA have slipped poetry, madrigals, and new vocal music down the throat of a young audience. It can actually be quite fun! -
review18.03
We’ve Never Needed Pulsar Festival More
The major Danish composer festivals are starting to resemble each other more and more, but Pulsar Festival stands apart. Here, there is still more string quartet than performance art, making Pulsar an important alternative platform for new music – if only the festival itself would fully realize it. -
essay11.02
What Does it Mean to Hear a Voice Without a Human Being?
In Niels Rønsholdt's »Country«, Jakob Kullberg meets his own manipulated double. Essay on authenticity and the voice between body and technology. -
in brief30.01
When the Trumpet Says Farewell – Mikkelborg’s Most Beautiful Moment
»Light« is the perfect distillation of Mikkelborg’s musical life – a cavalcade of the qualities that have always defined him as a musician: light, colour, life, mysticism, love.