Andreo Michaelo Mielczarek … Kazuhisa Uchihashi stod mellem rustne mejetærskere på Landbrugsmuseet, da han lod buen glide over pickuppen på sit hjemmelavede instrument. Ud væltede en lyd, der på én gang mindede om en grønthøster og et groovy, mekanisk …
Holger Reenberg …
Motis Necrojam …
Martin Longley …
Bennett Hogg …
Jeppe Rönnow … Man skal være varsom, når folk siger, »nu bliver det rigtig dybt«. Musikalsk, faglig eller åndelig dybde skal erfares – ikke proklameres. På årets Langgaard Festival i Ribe blev der talt meget om dybde, store begreber og åndfulde retninger, …
Alex South … Abstract The migrations of baleen whales generally go little noticed, yet they have a profound effect on underwater sonic milieux. Seasonal fluctuations in the songs of the humpback, minke, and sei whales are underpinned by the near-constant …
Jeppe Rönnow … One must be cautious when people say, »now it gets really deep«. Musical, intellectual, or spiritual depth must be experienced – not proclaimed. At this year’s Langgaard Festival in Ribe, there was much talk of depth, big concepts, and …
Christopher A. Williams … Joshua Bergamin … Abstract Why is it that in experimental improvised music (EIM) anything can happen but hardly ever does? And if what musicians play is not determined in advance, what holds performances of EIM together? We …
Nele Möller … Abstract This audio paper explores so-called »game-calling instruments« as vessels for mimetic practices and intersubjective experiences. Game-calling instruments have a millennia-old tradition in various cultures of luring animals closer to …