
From Factory Floor to Operatic Frustration
Jenny Wilson’s first opera – an adaptation of Elfriede Jelinek’s »Women as Lovers« – delivers sharp theatricality and biting satire but struggles to find its musical voice.
Jenny Wilson’s first opera – an adaptation of Elfriede Jelinek’s »Women as Lovers« – delivers sharp theatricality and biting satire but struggles to find its musical voice.
Jenny Wilsons første opera – en bearbejdning af Elfriede Jelineks »Women as Lovers« – kæmper for at finde sin musikalske stemme.
»Henrivende. Man forlod KoncertKirken lidt højere, gladere og mere legesyg.«
Three albums with music for string quartet – and the likes – by Jürg Frey, Simon Christensen, and Anders Lauge Meldgaard each approach musical simplicity in their own way. But they aim for entirely different things with it.
»Cohesive, yet lacking challenges for the listener – such is the impression left by Josefine Opsahl’s new work.«
»Helstøbt, men uden udfordring til lytterne er indtrykket af Josefine Opsahls nye værk.«