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| Årgang 60 (1985-1986) nr. 02 - side 94-94

Musikdenken Heute II (Pierre Boulez -Darmstädter Beiträge/Schott 1985)

Europäische Gegenwartsmusik - Einflüsse und Wandlungen (Referate des III. Europäischen Komponisten-symposions 1983 - Schott, Mainz 1984)

Foundations of Computer Music (ed. Curtis Roads & John Strawn - The MIT Press, Cambr. Mass & London 1985,712s.)

Electronic & Computer Music (Peter Manning - Clarendon Press, Oxford 1985) Musik zwischen E und U (ed. Ekkehard Jost - Schott, Mainz 1984)

Anatomie der Musik (Mikis Theodorakis - Editions Phi, Echternach Luxembourg 1985)

Das Dritte Ohr (Joachim-Ernst Berendt -Rowohltl985,544s.)

Harrison Birtvvistle (Michael Hall-Rob-son, London 1984, 186 s.)

The dynamics of Harmony: principles and practice (George Pratt - Open Univ. Press, Milton Keynes, 1984,149 s.)

Harmony in Action (Davis Tunley - Fa-ber, London rev. 2/1984, 128 s.)

Advanced Harmony (Robert W. Ottman - Prentice Hall, Englewood Cliffs N J rev. 3/1984, 408 s.)

Music, Film & Art (Haig Khatchadou-rian - Gordon & Breach, N.Y., 1985, 222s.)

Romantic Music (Leon Plantinga - Norton, N.Y., 1984, 523 s.)

Anthology of Romantic Music (ed. Leon Plantinga - Norton, N.Y., 1984, 637s.)

Heinrich Schütz: ein Leben im Wert und in den Dokumenten seiner Zeit (Heinz Krause Graumnitz - Akademie der Kunst der DDR, Leipzig 1985, 563 s.)

Mademoiselle: Conversations with Nadia Boulanger (Bruno Monsaingeon -Carcanet, Manchester, 1985, 141 s.)

Arts/Science: Alloys. The Thesis Defence of lannis Xenakis (lannis Xena-kis, transi, by Sharon Kanach, Pendragon, N. Y., 1985, 133 s.)

Bruno Maderna: Documenti (ed. Mario Baroni - Suvini Zerboni, Milan, 1985, 356 s.)

Four Faces of English Music (Norman Hyde - Churchman, Worting, 1985, 248 s.)

Essays on the Philosophy of Music (Ernest Bloch - Cambridge UP 1985, 250s-) Reprise: the extraordinary revival of early music (Joel LCohen & Herb Snit-zer, Little Brown, Boston 1985,227 s.)

Medieval & Renaissance Music: a Performers Guide (T.J. Mc Gee-Univ. of Toronto 1985, 273s.)

Handbuch der Musikpsychologie (Helga de la Motte Haber - Laaber Verlag, Regensburg, 450 s.)

Verkstudier - musikalsk analys, teori og pædagogik (Nils-Göran Sundin - Mi-rage, Växjö 1985, 135 s.)

Musikalisk Interpretation och Interpre-tationsforskning (Nils-Göran Sundin -Mirage, Växjö, 1985, 420 s.)

Musikalisk Interpretationsanalys (Nils-Göran Sundin - Mirage, Växj ö, 495 s. )

Stravinsky: Selected Correspondence II (ed. Robert Craft - Faber, London 1984,556s.) Anatomy of the Orchestra (Norman del

Mar-Faber Paperback, London 1984, 528s.) Anatomy of the Orchestra (Norman del

Mar-Faber Paperback, London 1984, 528s.) Buildings for Music (Michael Forsyth -

Cambr. Univ. Press, England 1985.

The Cambridge Music Guide (Stanley Sadie - C.U.P., England 1985, 576 s.)

Bach, Händel, Scarlatti - Tercentenary

Essays (ed. Peter Williams - Cambridge UP, England 1985, 377 s.)

Paul Valéry and Music (Brian Simpson -Cambridge UP, England 1984, 352 s.)

Der Musizierende Mensch - eine Anthropologie der Musik (Wolfgang Sup-paw-Schott 1984,215s.)