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Om Seismograf

Damon Albarn. © Julien Benhamou
essay

2025 Between Straw and Signal

A dialogue on listening, loss and resonance across Poland, Germany, UK and Denmark.

Af
  • Ed Cooper,
  • Małgorzata Heinrich,
  • Bastian Zimmermann,
  • Andreo Michaelo Mielczarek
18. December 2025

Andreo Michaelo Mielczarek (Seismograf):

How are your ears? How did 2025 sound like to you?

Bastian Zimmermann (Positionen):

This year, something essential shifted. For obvious reasons, I finally moved from Spotify to Tidal – which meant leaving behind years of saved albums and playlists and starting from zero. It brought back a memory from when I was seventeen or eighteen, when a hard drive crash erased my entire archive of ripped CDs from the jazz club where I used to play. A loss that felt both devastating and strangely liberating.

There is something refreshing in starting over, but also something painful. Maybe that’s why I began buying vinyl again – selectively, intentionally – replacing albums that have accompanied me for years, even decades.

The first half of the year was shaped by my own festival. I barely traveled, instead immersing myself in the sound worlds of the artists at Musik Installationen Nürnberg. 

Læs videre
© Franco Adams
reportage

The Anatomy of the Organ

It has become a cherished December tradition that Koncertkirken opens its doors to curious explorations of the nature of the organ when the Organ Sound Art Festival moves in. This year the festival could celebrate its 10th anniversary, and the fascination with the organ’s many paradoxes remains intact.

Af
  • Rasmus Steffensen
17. December 2025
© Caroline Bittencourt
kritik

When Bodies, Technologies and Whole Worlds Come Undone

From cyborg kinships and alchemical wonder to masculine fragility and Anthropocene ecstasy – MINU showed that art still holds space for vulnerability, ferocity and strange beauty.

Af
  • Macon Holt
12. December 2025

Kortkritik

© PR

Uncompromising Vignettes of Silence and Sighs

»'Where to From' is a powerfully mood-saturated work that moves effortlessly between chamber music and neoclassicism.«

Kortkritik

© Julia Haimburger

Minimalism for Patient Ears

»'Varve' is an album for those who prefer listening experiences at an unhurried pace; for those who find Hans Zimmer too grandiose.«

Peer

© Login/Shutterstock.com

Sounds of Science

6 April 2021 – Our new peer-reviewed special edition on composition, recording and listening as laboratory practice. Ten audio papers, two in-depth articles and an introduction by editors Henrik Frisk and Sanne Krogh Groth.

‘Every time we listen to music or make music, we are at the same time creating social relations or socialities’

Gender and social relations in New Music: Tackling the octopus
A conversation with Georgina Born

Collection

Marcela Lucatelli. © Marcela Lucatelli

Meet the composers

Some of them are just getting started. Others are well-established names on the international scene. But what are their thoughts on the music they create and the world they live in? Read a selection of our most interesting pieces on composers and composing.

Guide

Gintė Preisaitė

My name is Gintė Preisaitė – would you like to see my playlist?

»Music for me is the purest transformation of any energy hiding inside.«

© PR

Female Composers in 20th-century Electronic Music

© PR

On the Typical, the Indistinct and the Impersonal in the Sonic Arts, Media and Auditory Culture

About

Seismograf

Welcome to Seismograf

Seismograf is an independent Danish web magazine focusing on the newest developments within the arts of sound. On this page you will find our most recent English-language content as well as collections on selected topics. Want to know more about Seismograf? Then go on and scroll down to the bottom of this page.

Collection

© Anna Cokorilo

Around the world with Seismograf

Seismograf may be located in Denmark, but brilliant music is performed all over the world. Which means we often cover events in places far, far away, as illustrated by this selection of articles.

Essays

Damon Albarn. © Julien Benhamou

2025 Between Straw and Signal

A dialogue on listening, loss and resonance across Poland, Germany, UK and Denmark.
Ed Cooper 18. December 2025
© PR

Shoes For People Who Don’t Like Music

An anti-anthem for those who fall asleep at concerts and wake up with Cage talking nonsense.
Douglas Kahn 4. August 2025
Barents Spektakel. © Nima Taheri

2024: An Earful of Chaos 

Chaotic times call for chaotic music. But also soft techno, flutists and yoga balls. Jennifer Gersten and Andreo Michaelo Mielczarek wrap up the musical year in a conversation between New York and Aarhus.
Jennifer Gersten 29. December 2024
Valentina Goncharova. © Shukai / Quietus

Gender, Canon, and Eastern European Women Pioneers of 20th-century Electronic Music

Feminist readings of 20th-century electronic music history cannot avoid questioning the notion of canon and canon-oriented historiographical practices. Shedding light on women composers from non-Western contexts can further come in handy in searching for ways to engage with the history of gender in music beyond mainstreaming and the rhetoric of exceptionalism.
Marta Beszterda van Vliet 24. November 2024
© Lisbeth Damgaard

Another day, another rediscovery of Else Marie Pade

A good twenty years after the first rediscovery of Else Marie Pade as an electronic pioneer, she is now being branded as a visionary acoustic composer. It seems we never get tired of rewriting the story of this special artist – and writing ourselves into it.
Sune Anderberg 20. August 2024
Codex Quetzalecatzin. © Courtesy of Geography and Map Division, Library of Congress

Thinking decolonially towards music’s institution: A post-conference reflection

How do we talk about musical colonisation? How do we talk about this work of talking about it; that is, interrogating what we mean by colonisation and its counter-logic of decolonisation or decoloniality?
Anjeline de Dios 8. December 2023
© PR

Death and Masochism

Efterskrift enjoy the discomfort of pleasure postponed or expressed through the pain of the feeling of something missing. At the new festival MINU, the Aarhus-based ensemble will perform a concert with a simple message: everything good is allowed to die.
Macon Holt 4. November 2022
© PR

Actual Friends, Making New Maps from the Future

How do you make sense in a world filled with tragedy, grief and institutional control? In their work for MINU festival composer Conor McLean and performer Nikolaus von Bemberg turn to Charlie Kaufman’s film, »Synechdoche, New York« for answers.
Macon Holt 4. November 2022
Cover til The Sounds of Earth Record. ©  Wikimedia Commons

Alien Frequencies

The mixtape has always been a format with which to swagger and seduce, meant to project both front and vulnerability. How, though, might we interpret a sampler from another star system; what might its effect on us be? A journey with Ziggy Stardust, Yuri Gagarin, afrofuturists and intellectuals from Mars.
Ben Carver 27. October 2022

Reviews

© Caroline Bittencourt

When Bodies, Technologies and Whole Worlds Come Undone

From cyborg kinships and alchemical wonder to masculine fragility and Anthropocene ecstasy – MINU showed that art still holds space for vulnerability, ferocity and strange beauty.
Macon Holt 12. December 2025
© PR

Turn It Up!

Charlottenborg’s tribute to Mika Vainio wants to be a sound cinema, but without proper volume, darkness or context, the installation slips into an experience you drift out of almost as soon as you enter.
Louise Steiwer 19. November 2025
© Spektrals

In the Hamster Wheel with Headbands

Current Resonance turned the idea of work inside out in an absurd, sweat-drenched performance that pulled the audience into a hard-pumped ritual of labour.
Marta Bo 15. November 2025
© Mattia Spich

That’s Why I Keep Returning To Unsound

Unsound in Kraków is still more than a festival – it’s an echo of our own search for connection in the age of noise.
Andreo Michaelo Mielczarek 24. October 2025
© Thaïs Breton

Anything Can Become Music – Even a Bunch Of Fake Frogs

At the Musica festival in Strasbourg, everything from children’s concerts to organ storms and performative string quartets turned into a playful exploration of sound, body, and community.
Therese Wiwe Vilmar 7. October 2025
© Martin Popelář

Microtones In the Coal Mines

Ostrava Days transformed the old mining town into a laboratory of sound, where contemporary music pressed its way out between dust, drones, and Dadaist madness.
Andreo Michaelo Mielczarek 3. October 2025
© Rune Mielonen Grassov

When Mysticism Loses Its Magic

This year’s Rued Langgaard Festival set out to open the gate to Danish mysticism, but at times disappeared itself into a haze of filler and gimmickry – though a few concerts stood strong.
Jeppe Rönnow 18. September 2025
© Victoria Mørck Madsen

No Dying Diva in Paris – but Glitter, Dog Life and Office Humor

Copenhagen Opera Festival 2025 turned away from opera’s classical themes of fate and instead gave space to intimate music-dramatic experiments on queer identity, domestic violence, climate crisis, and mental illness.
Jeppe Rönnow 7. September 2025
© Katarzyna Kmiecik

The Myth Of the Sound City By the Limfjord

Struer Tracks showed that even municipal branding can open new worlds when sound art gets involved – from glitching rat voices in the basement of the music school to subwoofers that shook the harbor.
Jakob Gustav Winckler 27. August 2025

Interviews

© Christian Houge Laursen

A Case for Simplicity

The Taiwanese-Danish percussionist Ying-Hsueh Chen explores the world’s smallest sounds – from red deer bones to roof tiles – in her pursuit of a music that is both ancient, courageous, and radically simple.
Henrik Marstal 24. November 2025
© CPH:DOX / Katrine Thude

From Darkness to Magic: Warren Ellis and the Journey Toward the Light

After a brutal depression, Warren Ellis returns with renewed strength – and deep gratitude. The 60-year-old Australian multi-instrumentalist opens up about pain, love, animals, creativity, and Nina Simone’s sacred chewing gum.
Peter Albrechtsen 15. May 2025
© PR

The Useless Hell

In the musical theater performance »Calls to this number are being diverted« Matthew Grouse puts the absurd working life of late modernity under the microscope.
Henrik Marstal 16. January 2024
© Kristof Lemp

Side entrance to the New Music Scene

Slowly the idea of universality is dissolving, experimental music exists everywhere and in every genre – Abbasi, Eizirik and Sanchéz-Chiong in conversation.
Jan Topolski 29. November 2023
© UKRAiNATV

UKRAiNATV – the future starts here

They mix art, activism and technology to create a dialogue across Europe. Meet the internet TV project UKRAiNATV, featured at Unsound 2023.
Giada Dalla Bontà 5. October 2023
© Denys Tsybulko

»We love to talk about solidarity«

The problem is not a lack of interest in Eastern Europe, but in a scarcity of access to its narratives and perspectives, says Ukrainian writer and curator Mariana Berezovska ahead of Unsound Festival 2023.
Giada Dalla Bontà 2. October 2023
© PR

»I love freedom and I know why«

For months Ukrainian born composer and sound artist Katarina Gryvul didn't force herself to write, as she didn't want to associate war with music. It all changed: »An artist cannot be out of politics now«.
Marta Konieczna 1. December 2022
Hania Rani. © Martyna Galla

»I can’t kill anybody with my profession« 

It took Hania Rani many years to acknowledge that she feels much more comfortable in a music other than classical music. However, it lives – like a heavy rucksack – in the Polish artist's piano music, which is allowed to be called poppy. Now she is visiting Copenhagen and the new borderless music festival Resonator in Odense.
Mathias Monrad Møller 3. November 2022
© Malin Annie Jansson

»I would very much like to survive, thanks in advance«

Two years ago, James Black began writing an article series on religion in the Danish composer scene. Getting more and more angry, Black finally had to give up. Why?
Sune Anderberg 27. August 2022

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Seismograf is supported by
The Danish Arts Foundation, The Danish Composers’ Society/Koda Culture and The Independent Research Fund Denmark.