what we immerse ourselves in

interview03.10.2016

2006-16: Is it time to downsize?

AUT has grown like a wild plant. But how do you look after such a plant, and must it be ’big and beautiful’ or is ’small and delicious’ enough? Seismograf spent a late summer evening with two members of the current AUT board prior to their anniversary concert on 7 October.

By Andreo Michaelo Mielczarek

portrait03.10.2016

1996-2006: Ready for the future

Digitalization was influential on AUT coming into the new millennium. Hjarne Fessel on a paradoxical atmosphere of openness and seclusion.

By Hjarne Fessel
portrait03.10.2016

1986-96: Revitalised independence

AUT was trying to find its own identity compared to NUMUS and the conservatory. Hjarne Fessel remembers the period as a time with a strong faith in the future.

By Hjarne Fessel
portrait03.10.2016

1966-76: When Aarhus became the new music metropolis of Denmark

Erling Kullberg on the first ten years of AUT, a time when the Danish scene for new music was noticeably decentralized – not least due to some assiduous musicians.

By Erling Kullberg

interview29.09.2016

»Vi bliver nogle sære starutter«

Merrygo

Martin Stauning debuterer den 5. oktober som komponist fra Det Kongelige Danske Musikkonservatoriums solistklasse. Kollegaen Peter Bruun har mødt ham til en snak om, hvad der har ført ham dertil, og hvad der skal til at ske i hans musikalske liv.

review26.09.2016

Yggdrasil slår stadig rødder

Forestillingen om en nordisk musik lever videre i kunsten. Nikolaj Strands anmelder Sunleif Rasmussens 2. symfoni, 'The Earth Anew'.

By Nikolaj Strands
reportage12.09.2016

THE END – En teknisk operaoplevelse

Operaen THE END byder på 3D animation, surround sound, elektronisk glitch og syntetiske stemmer i en kompromisløs virtuel forestilling med det japanske popikon, Hatsune Miku, i hovedrollen. Stina Hasse så opførelsen under Aarhus Festuge, og snakkede med komponisten bag, Keiichiro Shibuya.

By Stina Hasse Jørgensen
reportage02.09.2016

Deep∞Minimalism: En hyldest til de oversete

Christian Møller Blæhr har besøgt Deep∞Minimalism festivalen i London, hvorfra han rapporterer og præsenterer et væld af interessante komponister: Éliane Radigue, Pauline Oliveros, Daphne Oram, Laurie Spiegel og flere andre.

By Christian Møller Blæhr

PEER audio paper30.08.2016

Mountain meets urban waterfront

By Alexandra Baixinho & Tine Blom

PEER audio paper30.08.2016

A sound factory on Amager

An exploration of new forms of labour facilitated by new and old infrastructure, expanding notions of place and work itself.

By Macon Holt & Katrine Pram Nielsen
PEER audio paper30.08.2016

Between maps and territories

An audio paper based upon Andreas Führer's soundwalk The Map is Not The Territory D’Or.

By Rasmus Holmboe & Jan Stricker
PEER audio paper30.08.2016

The new “Amagerkaner”

A speculative audio paper about the past of 2055 assessing site-specific found objects coming from a near-future.

By Pedro J. S. Vieira de Oliveira