what we immerse ourselves in

interview23.08.2022

Oil, Opera and the history that haunts us

© Tom Ingvardsen

Niels Rønsholdt's new work, »The Last Rites«, is a pessimistic satire on human nature. The opera takes place in Østerbro Ice Skating Rink, so the audience can feel the cold mechanics of desire and the growing chaos on our planet. Do we really need winter all year round?

PEER article02.06.2022

Sensory concert

An analysis of a sensory concert and its challenge of the gendered stage.

By Marie Koldkjær Højlund & Anne-Sofie Udsen
PEER audio paper02.06.2022

Solastalgia

An audio paper addressing the exploration of ”solastalgia” through musical means.

By Karin Hellqvist
02.06.2022

Perspectives on sounding women’s work

Introduction to articles and themes in Sounding Women's Work I and Sounding Women's Work II.

By Kristine Ringsager & Stina Hasse Jørgensen

PEER audio paper02.06.2022

Intervals

The sounds of weavers, longing, missing and tenderness

PEER article02.06.2022

Exhibiting the unheard(-of)

Women composers and the inadequate representation in historical canons and museum exhibitions.

By Thomas Husted Kirkegaard
PEER article02.06.2022

Gender matters

Inclusion and exclusion of gendered artefacts, bodies and things in the spaces of P3´s music production.

By Katrine Wallevik
interview09.03.2022

Three Artists. One Hope

Three snapshots from three different lives: Kateryna Zavoloka, Katarina Gryvul and Boris Filanovsky. All work with music, their countries are at war, and they condemn Russia's invasion of Ukraine. They have not met each other and the article consists of three unique interviews with Seismograf. None of them see themselves as political artists, but they do believe that it is a human duty to speak out and fight back when the leader of one's homeland orders war against the other two's homelands.

By Julie Hugsted

essay10.02.2022

On stage we are four bodies

© Eget værelse

Sounding Women's Work | Meshes is a performance groupe with drummers and dancers. They work with the relation between body and sound and investigates how the movement of the body can be translated into a score for a drum set, and how the sound of a drum set can be translated into a score for movement.

essay10.02.2022

»Had I run around with the others, would I have become a composer at all?«

Sounding Women's Work | Mette Nielsen is occupied finding ways to create space for the small and fragile sounds in the music. She works with both completely traditional scores and more open notations and easy staging of sound.

By Mette Nielsen
essay10.02.2022

Gender, climate and class

Sounding Women's Work | Artist couple Ragnhild May and Kristoffer Raasted conceive their common practices flexibly – it is of importance to them that well-established individual practices provide the starting point for the collaborative endeavor.

By Ragnhild May & Kristoffer Raasted
essay10.02.2022

Maybe Just Music

Sounding Women's Work – AUDIO ESSAY | »We find it problematic to articulate the feminist elements in our work directly,« say Sara Willemoes Thomsen and Kim Sandra Rask from the band Måske bare musik (Maybe Just Music), who make sound drawings with kids instruments and tools.

By Måske bare musik