Jeppe Rönnow
By Jeppe Rönnow
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in brief14.01
From Pain to Paralysis: a Stabat Mater Without Wounds
»ELECTRIO aim to renew 'Stabat Mater' with guitar, electronics and baroque threads, but the result is too neat, too familiar, and far too painless.« -
review18.09
When Mysticism Loses Its Magic
This year’s Rued Langgaard Festival set out to open the gate to Danish mysticism, but at times disappeared itself into a haze of filler and gimmickry – though a few concerts stood strong. -
review07.09
No Dying Diva in Paris – but Glitter, Dog Life and Office Humor
Copenhagen Opera Festival 2025 turned away from opera’s classical themes of fate and instead gave space to intimate music-dramatic experiments on queer identity, domestic violence, climate crisis, and mental illness. -
review22.08
Opera’s Darkness Finds a Home in Savonlinna
Savonlinna’s castle festival lets Finnish national opera resonate between stone, lake, and summer night – and shows how dark dramas can mirror the soul of a people. -
review31.05
Estonians Can Truly Compose – Especially for Voice
Estonian Music Days revealed how a young, vocally attuned community of composers in the small country between Finland and Russia combines historical depth with freedom, resonance, and intimacy. -
in brief03.03
Cosmic Resonance
»The small crackling beep-sounds from the satellites’ resonance also became music.«