Andreo Michaelo Mielczarek … You can't hear the trams when Mary Halvorson plays her electric guitar in the Cracow Philharmonic. The trams have otherwise always been a problem during concerts, because the music house is located on a central corner of the …
Andreo Michaelo Mielczarek … Man kan ikke høre sporvognene, når Mary Halvorson spiller på sin elguitar i Kraków Filharmoni. Sporvognene har ellers altid været et problem under koncerter, fordi musikhuset ligger på et centralt hjørne i den polske by. Eller …
Phil Battiekh …
Carlos Manrique Clavijo … How are power dynamics evidenced through loudness in sonic storytelling? In sonic storytelling (be it film, games, VR or audio narratives), audiences expect to be immersed. Rather than truth and knowledge, they expect a sense of …
Hanne Boel …
Camilla Dayyani …
Matthias Kispert …
Charlotte Rowan …
Henrik Marstal … The fear of having to take a completely unimportant, yes, pointless, job in order to pay the rent has always been deep within me. I've always had great compassion for the people who were forced to do that. A job in a call center stands …
Henrik Marstal … Frygten for at være nødt til at tage et fuldkommen ligegyldigt, ja, meningsløst, job for at kunne betale huslejen har altid siddet dybt i mig. Og jeg har altid haft stor medfølelse med de mennesker, der var tvunget til det. Et job i et …