
The Im/mediate Noise
This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.
This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.
An investigation of the sonic and durational experiences that formed the encounter with three artworks at the museum Dia:Beacon.
Questioning sound as an ‘exhibited’ artistic object from a conceptual leaning, the article address sound’s subjective inclination as an experience beyond the material object.
This audio paper considers how new listenings might lead to a richer, more inclusive sound art, that can embrace and celebrate difference.
Jakob Gustav Winckler anmelder live-installationen ‘Time is Local’ af Jacob Kirkegaard og WeLikeWe, åbningen af udstillingen ‘Awake’ af Mette Rasmussen og opførelsen af europapremieren på Keiji Hainos værk ‘Miracle’. 4/11 G((o))ng Tomorrow Festival.
'A Sonic Time Capsule – a small instruction manual explaining how to realize such a thing' by Andrea Zarza Canova.
Lasse D. Hansen rapporterer fra konferencen 'Young People, Composing and Contemporary Music' i London.
Reportage fra Ultima Festival 2017 og interview med afgående festivalleder Lars Petter Hagen.
Interview med Bjarke Svendsen i forbindelse med udnævnelsen af ham som ny daglig leder af SNYK.
Rikke Hansen Og Andreo Michaelo Mielczarek anmelder heldagsoperaen 'Operatic Mass Action', som var sat i scene af AUT til Aarhus 2017.
Lea Wierød Borčak interviewer komponisten Line Tjørnhøj.
Svend Hvidtfelt Nielsen anmelder Wayne Siegel: Celebration, Per Nørgård: Orgelbogen - Canon, Axel Borup-Jørgensen: Organ Music