review
When the World Trembles, Kirkenes Listens
At the Barents Spektakel art festival, war, borders and vibrations are transformed into sound, conversation and art at Europe’s northernmost edge.
review
A Country Built of Sound
Dark Music Days in Reykjavík offered everything from Bára Gísladóttir’s orchestral darkness to noise, seaweed and quiet song in Harpa – in a music scene where community matters as much as the export adventure.
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Knausgård’s Apocalypse as Opera
Sebastian Fagerlund’s »Morgonstjärnan« transforms the novel’s existential unease into a powerful, collective musical drama.
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Sacred, Profane, and Unsettlingly Alive
Sacrum Profanum in Kraków offered intense sonic experiences and musical battles – but also performances where the idea outweighed the music.
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Matias Vestergård revisited
Revivals have moved onto the agenda among Danish composers, and this month two violent operas by Matias Vestergård benefited from the trend. What is it that makes him so good at writing precisely that kind of work?
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Universal Music with Local Truths
Local traditions play a central role in the second-ever Faroese opera, in which Sunleif Rasmussen reclaims a local story made famous by Wagner.
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When Bodies, Technologies and Whole Worlds Come Undone
From cyborg kinships and alchemical wonder to masculine fragility and Anthropocene ecstasy – MINU showed that art still holds space for vulnerability, ferocity and strange beauty.
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Turn it Up!
Charlottenborgs hyldest til Mika Vainio vil være en lydbiograf, men uden ordentlig volumen, mørke eller kontekst ender installationen som en oplevelse, man hurtigt glider ud af.
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In the Hamster Wheel with Headbands
Current Resonance turned the idea of work inside out in an absurd, sweat-drenched performance that pulled the audience into a hard-pumped ritual of labour.
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That’s Why I Keep Returning To Unsound
Unsound in Kraków is still more than a festival – it’s an echo of our own search for connection in the age of noise.
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Anything Can Become Music – Even a Bunch Of Fake Frogs
At the Musica festival in Strasbourg, everything from children’s concerts to organ storms and performative string quartets turned into a playful exploration of sound, body, and community.
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Microtones In the Coal Mines
Ostrava Days transformed the old mining town into a laboratory of sound, where contemporary music pressed its way out between dust, drones, and Dadaist madness.<br />