War Reverberations: Sound Stories From Kyiv
Air raid sirens, artillery, and everyday sounds have altered the city’s rhythm – and forced its residents to develop new ways of listening.
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Air raid sirens, artillery, and everyday sounds have altered the city’s rhythm – and forced its residents to develop new ways of listening.
Four Scandinavian musicians and a Canadian banjo amateur/karate instructor cross the American South to find out whether they can become a band – somewhere between Schubert, country, and doubt.
It has become a cherished December tradition that Koncertkirken opens its doors to curious explorations of the nature of the organ when the Organ Sound Art Festival moves in. This year the festival could celebrate its 10th anniversary, and the fascination with the organ’s many paradoxes remains intact.
On the Danish island of Samsø, humans, sheep, and birds listen together to the music of nature – a journey into the ecology of sound.
Lost Farm Festival transformed an abandoned farm into a global gathering point for grief, anger and creativity – where concerts, rituals and installations turned Sjællands Odde into a new center of the world.
In Reykjavík, snow falls sideways, and sorrowful reindeer sing. Dark Music Days unfolds the winter darkness in experimental tones where silence and noise meet – and even a harp made of yarn tells stories.
At the Jazzkaar Festival in Tallinn, improvisation and reflection meet in a landscape shaped by historical fault lines, westward gazes, and hopes for the future.
They have a bivouac, a couple of churches and a cultural festival – in northern Norway's Kirkenes, people are prepared if the worst happens.
At Warsaw Autumn, they are not only focused on sounds. The Polish festival aims to influence reality with new names and ideas.
Was it just for fun that the world's oldest festival for Nordic contemporary music traveled to Scotland? No, it was an educational journey.
Was it just for fun that the world's oldest festival for Nordic contemporary music traveled to Scotland? No, it was an educational journey.
The audiovisual festival Sonica shakes up the senses with sick robots, bagpipes and electronica for the future.
Heaven, hell, love and country – life’s biggest mysteries were studied at the Polish festival Sacrum Profanum. And it ended well for two Danes.
When you close your eyes to obvious acts of violence and evil, you only allow it to grow says Ukrainian composer Alla Zagaykevych, who believes in electronic music as a radical form of freedom. Reportage from the event »Antifascism - Electronic music from worlds on fire« in Lund, Sweden.
Video recordings of five RE:SOUND keynotes as well as a panel discussion on sound art curation.
Norwegian composer Knut Olaf Sunde radically challenged traditional concert practices with a 13-hour immersive performance.
Warsaw Autumn is on its way to becoming a victim of its own success, James Black writes in his essay from the Polish capital.
Are commercial demands starting to influence contemporary music in the Nordic countries? James Black writes from the UNM Festival in Bergen, Norway.
The Indonesian noise and experimental music scene exists. Sanne Krogh Groth spent two weeks in Central Java, whose local culture influences the music.
Maya Shenfeld returns to Israel to investigate the local music scene amid what has been labelled a ‘culture war’.
Shanti Suki Osman visited the festival Hoffnung 3000, which took place in Berlin on 24th-26th August.
Maya Shenfeld reports from this year's documenta 14.
Maya Shenfeld reports from debates and concerts at this years Heroines of Sound, 7th-9th July, Radialsystem V, Berlin.
Jakob Gustav Winckler har i åbningsweekenden besøgt festivalen og udstillingen Struer Tracks.
Andrew Mellor anmelder årets SPOR Festival i Aarhus, hvor årets tema var epiphany.