Ash in the Ear
At Phono, Laugesen sang – yes, sang – the prose of life across a wall of sound. His voice cut in between the rumbling bass and the grit of the snare drum
At Phono, Laugesen sang – yes, sang – the prose of life across a wall of sound. His voice cut in between the rumbling bass and the grit of the snare drum
It is a testament to grief as lived experience, and as an archival bulwark, »Karakoz« thus takes part in the struggle for a free Palestine.
In a short space of time, »Miniatures« has become a favored sonic space for this reviewer when there is a need to retreat into the chambers of the mind
Bent Sørensen’s »12 Nocturnes« unfold the night’s intimate piano poetry, while the piano concerto breaks the spell.
»Light« is the perfect distillation of Mikkelborg’s musical life – a cavalcade of the qualities that have always defined him as a musician: light, colour, life, mysticism, love.
»Crooked, meandering passages and bubbling harmonies that only just brushed against a peculiar sense of tempo.«
»Kirstine Fogh Vindelev’s discreet soundscape for the power performance Animal provides much-needed breathing room in Alexandra Moltke Johansen’s dense text.«
Gently lapping, quiveringly simple, and almost self-effacingly discreet.
»Phantom Orchestra« is a dazzling, slightly mad experiment, driven by a will to create harmony in chaos.
»ELECTRIO aim to renew 'Stabat Mater' with guitar, electronics and baroque threads, but the result is too neat, too familiar, and far too painless.«
It’s a fascinating project, but what about the music? It’s a mixed experience.
Although »From Grimsby to Milan« contains a wealth of fine detail, the journey – from Grimsby in Canada to Milan in Ohio – ultimately feels long and monotonous.