Every Ending Is Also a New Beginning
I was left with a somewhat flat feeling. The piece also ended so quietly that several people were unsure whether it had actually finished and whether we could applaud.
I was left with a somewhat flat feeling. The piece also ended so quietly that several people were unsure whether it had actually finished and whether we could applaud.
»And that is how it sounded. Cold. Like the saddest Instagram filter imaginable – with sound.«
»It was as much the enchantment of Rumi’s poetry as the myth of the poet himself that drove the work.«
Sensitive jazz guys? Nope – suddenly Marsalis hurled himself into the seated audience with a somersault – and a scream.
What a strange release, nostalgically so in its way. And how creative.
It is saturated, direct, and seemingly made for a grippingly intense choreography. A powerful partnership on the grand stage.
With »Music for Lovers«, the Swiss drummer and electronic musician Samuel Rohrer gets many things right. But the songwriting, unfortunately, falls short.
There was no affected distance or feigned coolness – only pure, unadulterated musical beauty.
Emotionally potent, and filled with pleasing, warm synth tones that recall 1970s German Kosmische Musik.
»Hoshi« is an album packed with microscopic moments that together form a frayed, exploding, radiant, idiosyncratic whole—a stellar moment of just under 38 minutes