
Towards an ethics of listening
Editing and listening to field recordings as methods in postcolonial history writing.
Editing and listening to field recordings as methods in postcolonial history writing.
Decolonization and the creation of dialogical narratives.
Collaborative improvisation as a creative point of departure for studio production.
Critical examination of piano music through a psychological understanding of the act of performing.
An investigation of pianists’ independence from the score by comparing their tempo through graphs.
Exploring the master-apprentice relationship through artistic research methodologies and the staging of a Hörspiel.
Artistic environmental interaction and the notions of ‘fleshy listening’ and ‘multi-entity performance’.
Historically-informed recording research exploring the work of the amateur recording pioneer Julius Block.
On obsolescence, preservation, acoustic signatures and functions in the now closed Yerkes Observatory, Wisconsin.
Reflecting the practice of the medical technique for listening with a stethoscope.
»Ligesom med den guidede meditation, hvis formål ofte er at berolige eller endda søvndysse, så er ‘Chimera/Homeostasis’ beroligende i sin nær ikketilstedeværelse«.
I ren nedlukningsfeber forvilder vi os ind i en garage, hvor en hiphopduo inviterer indenfor, mens de indspiller et album.