review
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review17.04
In the Shadow of Pärt
Estonian Music Days revealed a musical culture caught between tradition, renewal, and a restless world.
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review08.04
It Sounded Wild – But Did it Last?
MaerzMusik in Berlin opened with 50 pianos – and bold experiments that didn't always land. -
review29.03
CTM Festival in Berlin: Is the Electronic GPS Still On?
For a long time, CTM has served as a beacon for contemporary electronic music. But in an increasingly fragmented scene, the question arises: does the festival still show the way? -
review25.03
The Comfort of Art
At Borealis in Bergen, community is everywhere. But when everything is filtered through safety and intimacy, the music risks losing its necessity – and its bite. -
review18.03
We’ve Never Needed Pulsar Festival More
The major Danish composer festivals are starting to resemble each other more and more, but Pulsar Festival stands apart. Here, there is still more string quartet than performance art, making Pulsar an important alternative platform for new music – if only the festival itself would fully realize it. -
review15.03
What Happens When the Mainstream Falls Short?
Marina Abramović lets herself be murdered, burned, and thrown to her death in »Seven Deaths« at the Cisterns – but the operatic canon voiced by Maria Callas tempers the radicality that has otherwise carried her art through an entire lifetime.