in briefrelease

Small Snowflakes in a Brutal Snowstorm

Mads Emil Dreyer: »Miniatures«

As this review was being written, a snowstorm swept across Denmark, and even Østerbro was submerged in beautiful white snow. This turned out to be a remarkably fitting backdrop for the Danish composer Mads Emil Dreyer’s latest compositions, which are marked by melancholic, childlike phrases of glockenspiel and distant synths. The minimalist works are performed by the ensembles Scenatet, EKKI MINNA, and Athelas Sinfonietta, all of whom share a commitment to contemporary music, uncompromising experimentation, and a playful approach to acoustics and perspectives – qualities that are clearly audible in the works themselves.

Echoes of metallic sound surfaces blend with occasional floating pads, often tipping from the beautiful into the unsettling. The first half of the album is shaped by slightly brighter and more playful melodies, with »Miniature I–II« and »I–III« in particular delivering beautiful themes that frequently strike straight to the heart. A brief intermezzo opens the album’s second half, where abrasive keys and pads are introduced, and the ringing glockenspiels hover above the listener like eerie shadows or frightening ghosts.

The suites are short, simple, and effective, yet at the same time deeply atmospheric. In a short space of time, Miniatures has become a favored sonic space for this reviewer when there is a need to retreat into the chambers of the mind, where the blend of glockenspiel and principles of chance appears like small, glistening snowflakes in a long and brutal snowstorm.

playlist

11.09.2023

My name is John Grant – would you like to see my playlist?

»Music has been a healing balm for me.«

John William Grant is an American singer, musician, and songwriter holding both American and Icelandic citizenship. He first came to prominence as a co-founder, lead vocalist, pianist, and primary songwriter of the alternative rock band The Czars. After releasing six albums between 1994 and 2006, the band disbanded, and Grant withdrew from music for four years before embarking on a solo career.

He returned in April 2010 with a critically acclaimed debut album recorded in collaboration with Midlake. Queen of Denmark was named Album of the Year 2010 by Mojo magazine and was also selected as one of the ten best albums of 2010 by The Guardian’s music critics and writers.

in briefrelease

23.01.2022

Finnish Space Travel

Tomutonttu: »Hoshi«

Vauva, 02.12

Kristoffer Møllegaard

The Finnish multimedia artist Jan Anderzén has, with the album Hoshi, released under the solo moniker Tomutonttu, created a true little star. Not only because »hoshi« literally means »star« in Japanese, but above all due to the music itself. There is something cosmic, yet infinitely minute, about the sonic worlds Anderzén conjures—like a galaxy reflected in a puddle, or a space journey in a rocket carved from a hollow tree trunk. Synths emit busy, warm blips and bloops, while ultra-short vocal and instrumental samples create a recognizable blur. At once artificial and organic – soft, rounded, jagged, crackling.

Anderzén approaches sound with a playfulness I simply adore. His music is strange in an incredibly comforting way. It places me in a kind of colorful, trance-like state, only interrupted when, several times over the course of the album, I find myself smiling in delight at a particularly great sound. The synths on »Katse osuu sähköön!« The choral samples on »Kesä oli äkkiä ohi!« Milo Linnovaara’s flute on »Malta lausua ‘AH’!« And many more. Hoshi is an album packed with microscopic moments that together form a frayed, exploding, radiant, idiosyncratic whole—a stellar moment of just under 38 minutes.