Jakob Gustav Winckler
By Jakob Gustav Winckler
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comment21.12
Let’s Finally Drop the Rhetoric of »forgotten« Women Composers
Women opera composers of the past have returned for good. But how do we break the closed circuit of opera history? -
review27.08
The Myth Of the Sound City By the Limfjord
Struer Tracks showed that even municipal branding can open new worlds when sound art gets involved – from glitching rat voices in the basement of the music school to subwoofers that shook the harbor. -
in brief02.06
Not the Royal Rock Star We Might Have Wished For
In the end, it sounds like a march that has forgotten who it was written for. -
in brief26.08.2024
Hooray! The Big Questions Are Still Alive in Opera
»It was as much the enchantment of Rumi’s poetry as the myth of the poet himself that drove the work.« -
interview30.08.2017
Rum/Klang – et anarkistisk lydkunstgalleri
Jakob Gustav Winckler taler med Adam Veng fra Rum/Klang – lydkunstgalleriet i Jyderup. -
reportage14.06.2017
Den dag lydkunsten kom til Struer
Jakob Gustav Winckler har i åbningsweekenden besøgt festivalen og udstillingen Struer Tracks. -
review29.03.2017
Den Usynlige By
Jakob Gustav Winckler anmelder Jacob Kirkegaard og Peter Albrechtsens lydværk 'Den Usynlige By' for Dolby Atmos lydsystem. Premiere i Imperial 22. marts under CPH:DOX 2017. -
review03.03.2017
Lydinstallationer og økosystemer
Jacob Gustav Winckler anmelder udstillingen 'from here to ear v. 21' af Celeste Bousier-Mougenot på Copenhagen Contemporary 25.11.2016–05.03.2017.