PEER audio paper06.04.2021
Soundscapes as archives
Traces and absences of the aural past in Vancouver
Perspective
what we immerse ourselves in
-
PEER audio paper06.04.2021
Towards an ethics of listening
Editing and listening to field recordings as methods in postcolonial history writing. -
PEER audio paper06.04.2021
History as composition
Decolonization and the creation of dialogical narratives. -
PEER audio paper06.04.2021
A fundamental mode of being in the world
Collaborative improvisation as a creative point of departure for studio production.
-
PEER article06.04.2021
Seismograms of a musical work
An investigation of pianists’ independence from the score by comparing their tempo through graphs. -
PEER audio paper06.04.2021
Lost in interpretation
Exploring the master-apprentice relationship through artistic research methodologies and the staging of a Hörspiel. -
PEER audio paper06.04.2021
Fleshy listening and multi-entity performance
Artistic environmental interaction and the notions of ‘fleshy listening’ and ‘multi-entity performance’.
-
PEER audio paper06.04.2021
Stewardship to obsolescence and preservation
On obsolescence, preservation, acoustic signatures and functions in the now closed Yerkes Observatory, Wisconsin. -
PEER audio paper06.04.2021
Leaky knowledge
Reflecting the practice of the medical technique for listening with a stethoscope. -
interview08.03.2021
‘We don’t have the same aspirations at all’
Guitarist Mikkel Schou prefers the brand-new music composed today; his upcoming Debut Concert is a ‘thanks, but no thanks’ to institutional forces of habit.