PEER article03.07
Arriving, attuning, assembling, and adapting
Becoming sonic citizens with BEEP zine
Perspective
what we immerse ourselves in
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PEER audio paper03.07
Sounding missing persons
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PEER article03.07
Humming posthuman belonging
Circulating sounds as memetic citizenship practices in online music cultures -
review02.07
Oh, to Lose Yourself in Moers
The German Moers Festival is no longer primarily a jazz festival, but a curated laboratory for free improvisation, sound art, compositional music, and political absurdism. At times it feels forced. Most of the time, it is liberating.
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review23.06
While Europe's Jazz Searches for New Languages
At Jazzkaar, international stars are no longer the main attraction. Instead, the festival offers a glimpse of an Estonian scene in the process of shaping its own musical identity. -
review04.06
In a Forest Without a Path
Niels Rønsholdt’s new music-theatre work »Osmosis« creates a compelling universe of inverted trees, yearning voices, and rock-inflected asceticism. Yet the work’s central idea remains elusive. -
review25.05
From Coal Dust to Sound Art
Contemporary music is still alive – but often despite its own obsession with complexity and endless duration. That became clear at the festivals in Witten and Cologne.
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review11.05
In the Silence Between Voices
Marina Abramović, Miranda July and Laurie Anderson explore sound, body and absence at Nørrebro Teater – but only one work truly transforms emptiness into experience. -
review10.05
Longing for Plural Listening
At the Archipel Festival, listening became both a sensory experience and a political question. -
review06.05
From Cringe to Cosmos – and Back Again
Spor 2026 took its audience from embarrassed laughter to resonant sonic landscapes in a festival that both transgressed boundaries and overwhelmed the senses.