koncert
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in brief04.05
A Trumpet, Two Illusions and a Fjord
Enchanting and, at times, deeply inspiring. It was a concert that, for now, refuses to loosen its grip on me -
interview21.04
A Dance with the Site-Specific: Simon Steen-Andersen at 50
The Danish composer turns architecture, body, and context into part of the work – challenging our notions of what music is and how we experience it.
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in brief17.04
The Kids Are Alright
But yes, you missed out. Especially on young Albert Laubel, who did exactly what you hope someone will do at this kind of concert: suddenly step forward, make a mark, and promise something for the future -
in brief13.04
The Harp’s Quiet Slumber
Yet Barwick’s cinematic whistling and Lattimore’s harp arpeggios still found a glimmer of light within the dystopian darkness -
in brief11.04
For and Against the End of the World
Vanessa Amara got stuck in therapeutic deep house, while Soli City arrived at Beboerhuset with an overflow of chopped-up hyperpop aesthetics and melancholic spoken-word -
review08.04
It Sounded Wild – But Did it Last?
MaerzMusik in Berlin opened with 50 pianos – and bold experiments that didn't always land.