Revivals have moved onto the agenda among Danish composers, and this month two violent operas by Matias Vestergård benefited from the trend. What is it that makes him so good at writing precisely that kind of work?

A dialogue on listening, loss and resonance across Poland, Germany, UK and Denmark.

It has become a cherished December tradition that Koncertkirken opens its doors to curious explorations of the nature of the organ when the Organ Sound Art Festival moves in. This year the festival could celebrate its 10th anniversary, and the fascination with the organ’s many paradoxes remains intact.

From cyborg kinships and alchemical wonder to masculine fragility and Anthropocene ecstasy – MINU showed that art still holds space for vulnerability, ferocity and strange beauty.

Unsound in Kraków is still more than a festival – it’s an echo of our own search for connection in the age of noise.

At the Musica festival in Strasbourg, everything from children’s concerts to organ storms and performative string quartets turned into a playful exploration of sound, body, and community.