Giada Dalla Bontà is an Italian researcher, curator, and writer focusing on the intersection between sound, politics, art, underground and experimental practices, with a particular emphasis to unofficial cultures in the late Soviet Union and in contemporary practices in Central and Eastern Europe, the Caucasus, Central Asia, the Baltics.

Throughout her career, she has worked with Lisson Gallery, Mondrian Foundation, HNI Rotterdam, Venice Biennale, and collaborated with independent art projects and experimental music labels. She is currently based in Berlin and in Copenhagen, where she is a PhD fellow at the Department of Arts and Cultural Studies of Copenhagen University in association with the Sound Studies Lab.