A temple of sonic haecceities
An investigation of the sonic and durational experiences that formed the encounter with three artworks at the museum Dia:Beacon.
An investigation of the sonic and durational experiences that formed the encounter with three artworks at the museum Dia:Beacon.
Questioning sound as an ‘exhibited’ artistic object from a conceptual leaning, the article address sound’s subjective inclination as an experience beyond the material object.
This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.
Considering the relationship between interpersonal understanding and propagandist rhetoric, the article speculates on the ethical implications of such a relationship.
This audio paper documents the climbing of a pyramid, performing and discussing issues such as sound as evidence, networked ontology and agency, facts and materiality.
Addressing the collision of the tactile and the sonic, the audio paper discusses how sonic frontiers are exploited and transgressed in the installation “Kabusha Radio Remix”.
Using sounds of political chanting from Turkey, the paper shows how political orientation changes the inflection of chant, reflecting its societal positioning and purpose.
Jakob Gustav Winckler anmelder live-installationen ‘Time is Local’ af Jacob Kirkegaard og WeLikeWe, åbningen af udstillingen ‘Awake’ af Mette Rasmussen og opførelsen af europapremieren på Keiji Hainos værk ‘Miracle’. 4/11 G((o))ng Tomorrow Festival.
'A Sonic Time Capsule – a small instruction manual explaining how to realize such a thing' by Andrea Zarza Canova.
Lasse D. Hansen rapporterer fra konferencen 'Young People, Composing and Contemporary Music' i London.
Reportage fra Ultima Festival 2017 og interview med afgående festivalleder Lars Petter Hagen.
Interview med Bjarke Svendsen i forbindelse med udnævnelsen af ham som ny daglig leder af SNYK.