Alt kan blive til musik – også en flok falske frøer
På festivalen Musica i Strasbourg blev alt fra børnekoncerter til orgelstorme og performative strygekvartetter en leg med lyd, krop og fællesskab.
På festivalen Musica i Strasbourg blev alt fra børnekoncerter til orgelstorme og performative strygekvartetter en leg med lyd, krop og fællesskab.
At the Musica festival in Strasbourg, everything from children’s concerts to organ storms and performative string quartets turned into a playful exploration of sound, body, and community.
Soap Horse viste stor kontrol og et imponerende greb om både sit univers og sit publikum. Måske mangler de blot at bevise, at de også tør give slip.
»Soap Horse displayed remarkable control and a firm grasp of both their sonic universe and their audience. Perhaps all that’s left is to prove they dare to loosen their grip.«
Ostrava Days transformed the old mining town into a laboratory of sound, where contemporary music pressed its way out between dust, drones, and Dadaist madness.<br />
Ostrava Days forvandlede den gamle mineby til et klanglaboratorium, hvor samtidens musik maste sig ud mellem støv, droner og dadaistisk vanvid.
Mesayer’s black-clad universe and Thicket’s bursts of improvised energy merged seamlessly into a community one longed to be part of.
Polish-born Szymon Gąsiorek has done it again – created a cornucopia of an album that both overwhelms and delights.
Bjarke Mogensen makes the Cisterns breathe and thunder in a meditative underground sound space.
Natural sounds, imitations of nature, harmonies, and entire sequences are simply building blocks in her personal experimental lab.
Tungemål dares to experiment without drowning itself out.
It certainly doesn’t break any ambient conventions – but it’s a pleasure to be swept away nonetheless.