• PEER audio paper06.04.2021

  Fleshy listening and multi-entity performance

  
  Artistic environmental interaction and the notions of ‘fleshy listening’ and ‘multi-entity performance’.

  By Halla Steinunn Stefánsdóttir
• PEER article06.04.2021

  A chip off the old Block?

  
  Historically-informed recording research exploring the work of the amateur recording pioneer Julius Block.

  By Inja Stanović & Adam Stanović
• PEER audio paper06.04.2021

  Stewardship to obsolescence and preservation

  
  On obsolescence, preservation, acoustic signatures and functions in the now closed Yerkes Observatory, Wisconsin.

  By Noé Cuéllar & Joseph Kramer

• interview08.03.2021

  ‘We don’t have the same aspirations at all’

  
  Guitarist Mikkel Schou prefers the brand-new music composed today; his upcoming Debut Concert is a ‘thanks, but no thanks’ to institutional forces of habit.

  By Andrew Mellor
• review08.12.2020

  Beyond the ASMR phenomenon

  
  At the Academy for Open Listening, Sofie Birch and My Lambertsen set out a new direction for the ASMR genre.

  By Alifiyah Imani
• essay23.11.2020

  A song of one’s own

  
  American composer Caroline Shaw drew criticism because she profited on Inuit throat singing, according to singer Tanya Tagaq.

  By Andrew Mellor

• PEER article26.06.2020

  Beyond the media reveal

  
  If we sought to go beyond the media reveal, what new practices of knowledge should emerge?

  By Jamie Allen
• PEER article26.06.2020

  Sounding new materialism

  
  How does a sonic artist come to terms with the global effects of the tools of her trade?

  By Joe Cantrell
• PEER article26.06.2020

  The composer as curator

  
  How John Cage deconstructed the governed gallery experience and formed a new field of research.

  By Liora Belford