what we immerse ourselves in

PEER audio paper15.11.2017

Listening and not listening to voices

© Kasper Vang

Interrogating the prejudicial foundations of the sound arts canon

PEER article15.11.2017

Diagram for invisibility

The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.

By Rune Søchting
PEER audio paper15.11.2017

How to (re) do(o) things with sounds

In this audio paper and in the companion video paper Logan discusses sonic materiality through an inclusion of performative means.

By Kevin Logan
PEER audio paper15.11.2017

Origo

This audio paper documents the climbing of a pyramid, performing and discussing issues such as sound as evidence, networked ontology and agency, facts and materiality.

By Morten Søndergaard

PEER audio paper15.11.2017

The audibility of rebellion versus nationalism

© Kasper Vang

The sound of political chant

By Jeremy Woodruff

essay09.11.2017

A sonic time capsule

'A Sonic Time Capsule – a small instruction manual explaining how to realize such a thing' by Andrea Zarza Canova.

By Andrea Zarza Canova
review06.10.2017

Downfall – A journey to the underworld and back again

Andrew Mellor anmelder operaen 'Nedstigning: underverdenen tur-retur', Takkeloftet, 26.9.17 - Musik af Nicolai Worsaae, libretto af Julie Maj Jakobsen.

By Andrew Mellor
interview27.09.2017

Gender and social relations in New Music: Tackling the octopus

Juliana Hodkinson interviews anthropologist / cultural theorist Georgina Born on gender and other social relations in contemporary music.

By Juliana Hodkinson

reportage20.09.2017

Hoffnung 3000 – Experimenting with an Anonymous Community

Hoffnung 3000.

Hoffnung 3000 is a festival that asks how a festival would behave, if it organised itself - or, rather, if 30 anonymous participants would curate a festival, communicating with one another only through animal avatars. Hoffnung 3000 took place in Berlin on 24th-26th August, and Shanti Suki Osman went along to see what the animals came up with.

By Shanti Suki Osman

reportage03.09.2017

All the in-between spaces

Maya Shenfeld reports from this year's documenta 14.

By Maya Shenfeld
review01.09.2017

Som brødre vi dele

Lea Maria Lucas Wierød Borcak anmelder og reflekterer over adaptionen af Susanne Biers berømte film 'Brødre' til operaformatet. 'Brødre' spillede i Musikhuset Aarhus fra 16.-22. august.

By Lea Wierød Borčak
interview30.08.2017

Rum/Klang – et anarkistisk lydkunstgalleri

Jakob Gustav Winckler taler med Adam Veng fra Rum/Klang – lydkunstgalleriet i Jyderup.

By Jakob Gustav Winckler