review26.01
Sacred, Profane, and Unsettlingly Alive
Sacrum Profanum in Kraków offered intense sonic experiences and musical battles – but also performances where the idea outweighed the music.
Forside
reportage15.01
War Reverberations: Sound Stories From Kyiv
Air raid sirens, artillery, and everyday sounds have altered the city’s rhythm – and forced its residents to develop new ways of listening.
reportage17.12
The Anatomy of the Organ
It has become a cherished December tradition that Koncertkirken opens its doors to curious explorations of the nature of the organ when the Organ Sound Art Festival moves in. This year the festival could celebrate its 10th anniversary, and the fascination with the organ’s many paradoxes remains intact.
PulseIn brief
Writer profile Therese Wiwe Vilmar
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in brief14.01
70 Minutes Confined to a Creaking Construction Site
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interview11.01
See Venice and Throw Up
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in brief16.10
A Microphone In the Nervous System
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review07.10
Anything Can Become Music – Even a Bunch Of Fake Frogs
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in brief11.07
Fata Morgana Between Two Continents
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review24.06
»Oops, We Walked Past the Artwork« – the Hidden Presences of Sound Art in Moss
Therese Wiwe Vilmar holds a PhD in Aesthetics & Culture from Aarhus University. She is a researcher, educator, and writer specialising in questions of artistic mediality. Her work primarily explores the interdisciplinary intersections between literature and music, drawing on her academic background in Comparative Literature and Musicology. In addition to her scholarly pursuits, she has been an active columnist for Danish newspapers and a music critic for the music magazine GAFFA.